Typography 6, Shenval Press, Summer 1938

Robert Harling [Edited by]
Contents:
The Typography Of The Provincial Press by S. L. Righyni
An Autobiographical Fragment by Irme Reiner
Notes On Some Seventeenth Century English Types by A. F. Johnson
Ecclesiastical Typography by John Betjeman
From Cover To Cover a film script
Type Supplement: Reviews and Specimens
Bookshelf: Reviews

Details

Typography (Shenval Press)
Typography was a British design journal published by Shenval Press and edited by Robert Harling. It ran for eight issues between 1936 and 1939, documenting typography, printing, and book design at a pivotal moment in British graphic design history.

Linked Information

Typography 6, Shenval Press, Summer 1938
Typography 6, Shenval Press, Summer 1938
More graphic design artefacts
More graphic design history articles
Rudolph de Harak and Westminster Records

Design Archive Feature, Designer Profiles, Members Only Content, Regional Histories

Rudolph de Harak and Westminster Records

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Read Article
Designers and Books Series – Elizabeth Resnick

Designer Interview

Designers and Books Series – Elizabeth Resnick

Elizabeth Resnick is a Professor Emerita, former chairperson of the Graphic Design Department, and current part-time faculty at Massachusetts College of Art and Design, Boston, Massachusetts, since 1977. She ran her own independent Boston design studio from 1973 to 1996, working with many high-profile clients and is a passionate design curator who has organized seven comprehensive design exhibitions. I interviewed Elizabeth about her journey in the field, her early influences and some of the many items in her collection.

Read Article
My Grandfather Franco Grignani, with Emiliano Grignani

Designer Interview

My Grandfather Franco Grignani, with Emiliano Grignani

Emiliano Grignani is the grandson of Franco Grignani, one of the most versatile and influential Italian designers. Well-known for his advertising, painting and the way he could visualise motion in such a unique way. I interviewed Emiliano to find out more about Franco and his influence on graphic design and the great resource, https://www.francogrignani.info.

Read Article