An invitation to the first public exhibition of Piet Zwart’s work in England, shown in the entrance hall at Lund Humphries, London, 1–15 May 1963. Running concurrently in the main exhibition room, Typography in Britain Today brought together 37 leading British typographic designers — among them Alan Fletcher, Colin Forbes, Bob Gill, Ken Garland, Jock Kinneir and Margaret Calvert, Derek Birdsall, and Germano Facetti — each presenting a self-selected panel of recent work.
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
Corporate Identity & Branding, Design Archive Feature
House style can give identity to the diverse products or activities of a firm. It stimulates loyalty, helps to reduce costs, and has advertising value.
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Corporate Identity & Branding, Design Archive Feature, Members Only Content, Typography & Type Design
Working alongside André Gürtler and Bruno Pfäffli, Adrian Frutiger designed many logo designs. Here is a selection of the designs which were featured in Der Druckspiegel, December 1961. I have also translated and rewritten the descriptions to provide more depth.
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Design Archive Feature, Design Translated, Members Only Content, Typography & Type Design
A 1928 article on typographic carnival posters, originally in German, published in Typographische Mitteilungen, Vol 25, No 02, February 1928
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