Univers Specimen, Deberny & Peignot, 1964

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Univers Specimen, Deberny & Peignot, 1964
Univers Specimen, Deberny & Peignot, 1964

 

Univers Specimen, Deberny & Peignot, 1964
Univers Specimen, Deberny & Peignot, 1964

 

Univers Specimen, Deberny & Peignot, 1964
Univers Specimen, Deberny & Peignot, 1964

 

Univers Specimen, Deberny & Peignot, 1964
Univers Specimen, Deberny & Peignot, 1964

 

Univers Specimen, Deberny & Peignot, 1964
Univers Specimen, Deberny & Peignot, 1964

 

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Elizabeth Resnick is a Professor Emerita, former chairperson of the Graphic Design Department, and current part-time faculty at Massachusetts College of Art and Design, Boston, Massachusetts, since 1977. She ran her own independent Boston design studio from 1973 to 1996, working with many high-profile clients and is a passionate design curator who has organized seven comprehensive design exhibitions. I interviewed Elizabeth about her journey in the field, her early influences and some of the many items in her collection.

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Victorian Graphic Design left a mark on both British and American design history. In Britain, the ornate embellishments served as a symbol of prosperity and cultural values. Meanwhile, America embraced the combination of various design elements to navigate the complexities of a rapidly changing society driven by industrialisation and consumerism.

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Gebrauchsgraphik 06, 1956 features a selection of the posters entered into the 1956 awards. It is unknown how many entries were submitted to the 1956 awards but a total of 21 posters were awarded.
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