Join the Mailing List

Membership

Collected Graphic Design History from Design Reviewed

Visible Language (The Journal of Typographic Research), Vol 02, 02, April 1968

Information

Content includes:
Type Reading Machines for the Blind, Glendon C. Smith
Reader Response to Newspaper Front-page Format, J. W. Click and G. H. Stempel
Words Fragments as Aids to Recall: the Organization of Words, L. M. Horowitz, M. A. White, and D. W. Atwood
Readership of Advertisements with All-display Typography, A. T. Turnbull and D. E. Carter
The Diagram Is the Message, Jesse H. Shera and Conrad H. Rawski

Details

  • Format: Magazine
  • Designer/s: Jack Stauffacher
  • Year: 1968
  • Size: 154mm x 233mm

Linked Information

Visible Language (The Journal of Typographic Research, Vol 02, 02, April 1968
Visible Language (The Journal of Typographic Research, Vol 02, 02, April 1968
More graphic design artefacts
Visible Language (The Journal of Typographic Research, Vol 01, 02, April 1967
From the design archive:

Visible Language (The Journal of Typographic Research), Vol 01, 02, April 1967

  • Format: Magazine
  • Designer/s: Jack Stauffacher
  • Year: 1967
View Artefact
Sound Texts, Concrete Poetry, Visual Texts, Stedelijk Museum, Amsterdam, 1971 designed by Wim Crouwel and Jolijn van de Wouw (Total Design)
From the design archive:

Sound Texts, Concrete Poetry, Visual Texts, Stedelijk Museum, Amsterdam, 1971

  • Format: Exhibition Catalogue
  • Designer/s: Wim Crouwel and Jolijn van de Wouw (Total Design)
  • Year: 1971
View Artefact
Idea 323, 2007-7
From the design archive:

Idea 323, 2007-7

  • Format: Magazine
  • Designer/s: Wim Crouwel
  • Year: 2007
View Artefact
Werk und Zeit, 4/1979. Designed by Rudolph J. Schmitt
From the design archive:

Werk und Zeit, 4/1979

  • Format: Magazine
  • Designer/s: Rudolph J. Schmitt
  • Year: 1979
View Artefact

view more of the graphic design archive

More graphic design history articles

Members Content

Olympia Advertising, late 1950s - early 1960s. Desigend by A. E. Wuttke
  • Design Archive Feature, Members Only Content

Advertising and Information. Design for Olympia-Werke AG

The collection of works I've gathered, designed for Olympia-Werke, showcases the height of mid-century German commercial artistry. The work was collated in a branded folder and contained forty brochures, advertisements and manuals.
Read Article
Parallel Public Experimental Art in Late East Germany By Sara Blaylock
  • Design Books

Parallel Public – Experimental Art in Late East Germany By Sara Blaylock

Parallel Public is a new publication by Sara Blaylock, published by MIT Press. The book documents the East German artists pioneering work that made their country’s experimental art scene a form of (counter) public life.
Read Article

Members Content

Omnibus 9, University of Braunschweig, 1964. Designed by Udo Zisowsky in collaboration with Peter Riefenstahl, Manfred Bremeler, Ralf Dierig
  • Design Archive Feature, Members Only Content

The Advertising and Design of Omnibus – The University of Braunschweig’s 1960s Publication

Omnibus was Published by the journalism working group of the Technical University of Braunschweig. A square publication measuring 290mm. The publication included features on politics, arts and culture. With advertisements carefully selected to be in keeping with the visual aesthetic. Content also included exhibition information and a fine example of concrete poetry, among artists such as Schröder-Sonnenstern and Sine Hansen.
Read Article

Members Content

Advertisement for Gebr. Sulzer AG, Winterthur Designed by Bernhard Lüthi, Basel
  • Design Archive Feature, Members Only Content

Industrial Advertisements. A selection of works from the book, Swiss Industrial Graphic Design

A short essay and scanned advertising from Swiss Industrial Graphic Design. A rare book focused on effective industrial promotion authored by Hans Neuburg. The design of the book is credited to Hans Neuburg and Walter Bangerter.
Read Article