Visible Language (The Journal of Typographic Research), Vol 04, 02, Spring 1970

Information

Content includes:
Psycholinguistic Universals in the Reading Process, Kenneth S. Goodman
Genesis of the Russia Grazhdanskii Shrift or Civil Type – Part II, Ivan L. Kaldor
Directional Consistency in Form Identification, Jeremy J. Foster
Use of the Search Task in an Analysis of Type Legibility in Cartography, Barbara S. Bartz
Comment: Design Education, Arthur J. Pulos

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Visible Language (The Journal of Typographic Research, Vol 04, 02, Spring 1970
Visible Language (The Journal of Typographic Research, Vol 04, 02, Spring 1970
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Little is known about the talented designer Günther Glückert. Born during the 1930s, a period that proved less than conducive to nurturing youthful artistic endeavours, did not halt Glückert's path of becoming a talented designer.

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Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

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The advertising agency played a crucial role in shaping consumer culture by acting as a bridge between businesses and the media and was stated to have started in the mid-19th century.
In minor printed matter we constantly meet the new typography, but it is relatively rare to find posters designed on the new lines. And yet poster-designing is a field where new typographical methods might be employed with great effect.