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Collected Graphic Design History from Design Reviewed

Visible Language, Vol 08, 02, Spring 1974

Information

Content includes:
Inscriptions of Our Past by Francis Duval, Ivan Rigby
Phonological and Orthographic Relationships of Reading Performance by Robert A. Barganz
A Bibliography in Character Recognition: Techniques for Describing Characters by B. Blesser, R. Shillman, C. Cox, J. Ventura, M. Eden, T. Kuklinski
Literacy Policy and the Emerging Technology of Readability by John R. Bormuth
The Humanist in the Computer Lab by Joseph Raben

Details

  • Format: Magazine
  • Year: 1974
  • Size: 154mm x 233mm

Linked Information

Visible Language, Vol 08, 02, Spring 1974
Visible Language, Vol 08, 02, Spring 1974
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Structuur in Textiel, Stedelijk Museum, Amsterdam, 1977 designed by Wim Crouwel and Daphne Duijvelschoff (Total Design)
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Structuur in Textiel, Stedelijk Museum, Amsterdam, 1977

  • Format: Exhibition Catalogue
  • Designer/s: Wim Crouwel and Daphne Duijvelschoff (Total Design)
  • Year: 1977
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Design, Council of Industrial Design, 121, January 1959. Cover design by Ken Garland
From the design archive:

Design, Council of Industrial Design, 121, January 1959

  • Format: Magazine
  • Designer/s: Ken Garland
  • Year: 1959
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Gebrauchsgraphik, 10, 1968
From the design archive:

Gebrauchsgraphik, 10, 1968

  • Format: Magazine
  • Designer/s: Rudolf Schucht
  • Year: 1968
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Vijftig Jaar Zitten , Stedelijk Museum, Amsterdam, 1966Vijftig Jaar Zitten , Stedelijk Museum, Amsterdam, 1966 designed by Wim Crouwel
From the design archive:

Vijftig Jaar Zitten , Stedelijk Museum, Amsterdam, 1966

  • Format: Exhibition Catalogue
  • Designer/s: Wim Crouwel (Total Design)
  • Year: 1966
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Members Content

What has been said about the styling of advertisements goes for the field of publicity for chemical and pharmaceutical products as well. Whether it is a soporific, an analgetic or a protein remedy for defects of malnutrition - nearly without a single word, the efficiency of the product in question is symbolically characterized in the composition and the choice of colours equally to the point, on the covers of these prospectuses. Suppositions for such achievements are the highest level and a freedom of artistic means which our businessmen, when employing commercial artists, are only too seldom ready to grant. Designs Matthew Leibowitz
  • Design Archive Feature, Members Only Content

Advertising Pharmaceuticals, A Comparison of German and American Advertising in 1950

As a chemist, I have an obligation to be curious – I grab a stack of our chemical journals and start with the advertising section. I start it, the walk through the sand. I don’t want to deny some oases. But soon I’m bored and tired.
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Herbert Bossin - Typographic Compositions with Folio
  • Design Archive Feature, Members Only Content

Herbert Bossin and his Typographic Compositions with Folio

The typographic supplement from Der Druckspiegel, October, 1961 features typographic compositions designed by Herbert Bossin. Bossin has solely used the typeface Folio, to illustrate its flexibility and versatility alongside imagery provided by Lothar Blanvalet Verlag.
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Online Archive - Hans Hillmann
  • Design Inspiration

Rediscover Hans Hillmann digitally

A new online archive makes the complete works of the famous graphic designer accessible
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Advertisements for Bol spirits designed by Atelier Engelmann and Klaus Oberer in late 50s : early 60s Cover
  • Design Archive Feature, Members Only Content

Bols. Advertising Matter from 1958 to 1961 by Engelmann, Mendell and Oberer

In the late 1950s, Hans W. Brose agency, with designers Pierre Mendell, Michael Engelmann, and Klaus Oberer, crafted a compelling, colourless campaign for Bols.
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