Content includes:
The Argument for a Semiotic Approach to Shape Writing: The Case of Italian Futurist Typography by John J. White
A Manifesto for Visible Language by Merald E. Wrolstad
Nomenclature of the Letterforms of Roman Type by Phillip Gaskell
Advertising Design, Design Archive Feature, Illustration
“They’ll never stand for that” and “It’s too modern” are, as George Plante aptly puts it, the restraintive thoughts which beset a commercial artist who tries to let himself go.
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Design Archive Feature, Designer Profiles, Members Only Content, Regional Histories
Tadashi Ohashi was at the forefront of Japan's postwar design movement, with his illustrations widely celebrated. In 1952, he became the chief designer for Meiji Seika Confectionery, producing some of his most renowned work.
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Design Archive Feature, Members Only Content, Poster Design, Regional Histories
One of the main features in Gebrauchsgraphik 08, 1962 is focused on the 1961/62 annual poster awards in Germany. Over 400 posters were submitted to the awards.
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