Visible Language, Vol 27, 01/02, 1993

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Visible Language
Visible Language was an academic journal on visual communication, typography, and information design. It was first released in 1967 at Case Western Reserve University and was called the Journal for Typographic Research.

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Visible Language, Vol 27, 01/02, 1993
Visible Language, Vol 27, 01/02, 1993
More graphic design artefacts
More graphic design history articles
Wim Crouwel and the Stedelijk Museum

Corporate Identity & Branding, Design Archive Feature, Designer Profiles, Members Only Content, Regional Histories

Wim Crouwel and the Stedelijk Museum

Crouwel was the successor to Willem Sandberg who used an avant-garde approach in his work, utilising torn-paper montage, mixing of sans serif and old Egyptian typefaces and often off-center positioning. Crouwel steered away from this artistic approach and implemented a cohesive design system and a strong identity that emulated the corporate identity boom of the 1950s and 60s.

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Ryuichi Yamashiro. Japanese Graphic Designer | 1920 – 1977

Design Archive Feature, Designer Profiles, Members Only Content, Regional Histories

Ryuichi Yamashiro. Japanese Graphic Designer | 1920 – 1977

Ryuichi Yamashiro (山城隆)  was a Japanese graphic designer and artist, born in Osaka in 1920. He belonged to the same generation of pioneering Japanese designers as Kohei Sugiura, Kiyoshi Awazu, Yoshio Hayakawa, Yūsaku Kamekura, Kazumasa Nagai, and Ikko Tanaka.  

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Yusaku Kamekura and his Design for Nikon

Design Archive Feature, Advertising Design, Designer Profiles, Members Only Content, Regional Histories

Yusaku Kamekura and his Design for Nikon

Nikon commissioned Yusaku Kamekura to design numerous posters, packaging designs and advertisements for Nikon. He used abstract forms, an impactful use of colours, along with his skilful reduction of messaging.

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