Visible Language, Vol 32, 03, 1998

Details

Visible Language
Visible Language was an academic journal on visual communication, typography, and information design. It was first released in 1967 at Case Western Reserve University and was called the Journal for Typographic Research.

Linked Information

Visible Language, Vol 32, 03, 1998
Visible Language, Vol 32, 03, 1998
More graphic design artefacts
More graphic design history articles
Dick Elffers and his 1972 Holland Festival and Floriade stamp designs

Design Archive Feature, Designer Profiles, Members Only Content, Regional Histories

Dick Elffers and his 1972 Holland Festival and Floriade stamp designs

Dick Elffers, had been the chosen designer for the printed matter of the Holland Festival for much of the festival's years, he used a painterly style for his work with the festival between 1954 and 1965 and later a more abstract style between 1969 and 1972. As well as publicity design, Elffers was commissioned to design the summer stamps to promote the Holland Festival in 1972.

Read Article
Yusaku Kamekura and his Mark Design by Masataka Ogawa

Corporate Identity & Branding, Design Archive Feature, Designer Profiles, Members Only Content

Yusaku Kamekura and his Mark Design by Masataka Ogawa

The background of Kamekura's mark designs is his boldness in eliminating all the waste, combining simplification derived from Japanese traditional family crests and Western intellectual mechanics of formation with a sharp modern sense of composition.

Read Article
Designers and Books Series – Elizabeth Resnick

Designer Interview

Designers and Books Series – Elizabeth Resnick

Elizabeth Resnick is a Professor Emerita, former chairperson of the Graphic Design Department, and current part-time faculty at Massachusetts College of Art and Design, Boston, Massachusetts, since 1977. She ran her own independent Boston design studio from 1973 to 1996, working with many high-profile clients and is a passionate design curator who has organized seven comprehensive design exhibitions. I interviewed Elizabeth about her journey in the field, her early influences and some of the many items in her collection.

Read Article