XIVe Triennale de Milan: Mexico 68, Organizing Committee of the Games of the XIX Olympiad. Mexico, 1968

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Editing and layout — Beatrice Trueblood
Graphic composition — Lance Wyman
Texts — Juan Vicente Melo
Coordinator — Huberto Batis
Artistic advisor — Eduardo Terrazas
Production — Ricardo Verdoni

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XIVe triennale de Milan, Mexico 68, Organizing Committee of the Games of the XIX Olympiad. Mexico, 1968
XIVe triennale de Milan, Mexico 68, Organizing Committee of the Games of the XIX Olympiad. Mexico, 1968

 

XIVe triennale de Milan, Mexico 68, Organizing Committee of the Games of the XIX Olympiad. Mexico, 1968
XIVe triennale de Milan, Mexico 68, Organizing Committee of the Games of the XIX Olympiad. Mexico, 1968

 

XIVe triennale de Milan, Mexico 68, Organizing Committee of the Games of the XIX Olympiad. Mexico, 1968
XIVe triennale de Milan, Mexico 68, Organizing Committee of the Games of the XIX Olympiad. Mexico, 1968

 

XIVe triennale de Milan, Mexico 68, Organizing Committee of the Games of the XIX Olympiad. Mexico, 1968
XIVe triennale de Milan, Mexico 68, Organizing Committee of the Games of the XIX Olympiad. Mexico, 1968

 

XIVe triennale de Milan, Mexico 68, Organizing Committee of the Games of the XIX Olympiad. Mexico, 1968
XIVe triennale de Milan, Mexico 68, Organizing Committee of the Games of the XIX Olympiad. Mexico, 1968
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My lectures and workshops also help bridge the gap between academia and industry. Through my lectures and collecting, I strive to promote design as a ever-changing dynamic industry that has the power to shape and improve the world we live in.
As a champion of graphic design history, I was thrilled to find the upcoming book "Penrose 1964-73: The Herbert Spencer Years," a captivating visual anthology dedicated to honouring Spencer's legacy as a trailblazer in modern typography. Spanning 288 pages, this book commemorates Spencer's influential editorship at the Penrose Annual from 1964 to 1973.

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He designed stamps from around 1955 and in the book Karl Oskar Blase, Briefmarken-Design, Verlag für Philatelistische Literatur, 1981, he was described as one of the most influential stamp designers in Germany.
I have been reproached for this, and I will surely be reproached again. I have also been reproached for reading more and more obscure works whose readership must be limited to a handful of specialists and a few hobbyists like myself. It’s a heavy passion or a passion that sucks.