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Youth Work, Germany Stamps, 1974. Designed by Peter Lorenz
Youth Work, Germany Stamps, 1974. Designed by Peter Lorenz

 

Youth Work, Germany Stamps, 1974. Designed by Peter Lorenz
Youth Work, Germany Stamps, 1974. Designed by Peter Lorenz

 

Youth Work, Germany Stamps, 1974. Designed by Peter Lorenz
Youth Work, Germany Stamps, 1974. Designed by Peter Lorenz

 

Youth Work, Germany Stamps, 1974. Designed by Peter Lorenz
Youth Work, Germany Stamps, 1974. Designed by Peter Lorenz

 

Youth Work, Germany Stamps, 1974. Designed by Peter Lorenz
Youth Work, Germany Stamps, 1974. Designed by Peter Lorenz
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Beyond being mere artefacts of design, these examples encapsulate the dynamic changes Japan was undergoing during this period. The design output of this era not only served commercial purposes but also became a powerful medium for expressing these societal shifts.

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Wolfgang Weingart's artistic design delved into the intricacies of Swiss typography, skillfully dissecting its elements while venturing into texture and type experimentation. His layered montages radiated dynamic kinetic energy, standing in stark contrast to the minimalist approach of his instructors, embracing a more maximalist aesthetic.
Helmut Schmid Typography explores the typographer’s oeuvre in its entirety. The book’s generous design allows each image to breathe, and the accompanying texts narrate Schmid’s life and career in an informative and pleasant manner.

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Perusing an issue of Der Druckspiegel from 1962, I found these fantastic examples of Swiss Design, produced for the University Ball at the University in St. Gallen, Switzerland, in 1961. The advertising matter included posters, newspaper advertisements, cinema slides, invitation cards and a booklet.