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Category: Design Archive Feature

Articles Featuring the Work of Design Archive Feature

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Idea 81, 1967. Cover design by Yusaku Kamekura
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Yūsaku Kamekura. Japanese Graphic Designer | 1915 – 1997

Yūsaku Kamekura had a long list of clients and as well as cover designs, he worked across logo and brand design, packaging, book design, and other printed matter, but he is particularly known for his poster design. His clients included Nikon, Tokyo 1964 Olympics, Meiji and TDK.

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Idea 46, 1961. Cover design by Hiroshi Ohchi.
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Hiroshi Ohchi. Japanese Graphic Designer | 1908 – 1974

Hiroshi Ohchi was a prominent Japanese designer, known for his playful and imaginative illustrated poster and packaging designs. He often combined bright colours with simple geometric forms and illustrated people and humanistic elements.

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Kazumasa Nagai. Japanese Graphic Designer | 1929
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Kazumasa Nagai. Japanese Graphic Designer | 1929

Kazumasa Nagai  (永井 一正) was born in 1929 in Osaka and is one of Japan's most acclaimed graphic designers. He designed iconic corporate logos for major companies such as Mitsubishi UFJ, Japan Railways, Nissin, and TEPCO and designed 100s of posters.

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Graphic Design 30, 1968 | Ikko Tanaka | Japanese Magazine
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Japanese Modernism

Japanese modern design was heavily influenced by European art movements, particularly modernism and the Bauhaus school. As Japan's advertising industry expanded, it increasingly drew from Western culture, especially television and film, resulting in designs that were eclectic, vibrant, and infused with modernist energy.

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Ikko Tanaka Posters 1980-2002, DNP Graphic Design Archive Exhibition IV, 2012 C
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Ikko Tanaka. Japanese Graphic Designer | 1930 – 2002 

Ikko Tanaka (田中一光, 1930–2002) was a celebrated Japanese graphic designer. His client list included Mazda, Hanae Mori and Issey Miyake, Expo '85 in Tsukuba, World City Expo Tokyo '96, and the Victoria and Albert Museum.

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Drukkersweekblad en Autolijn Kerstnummer 1952, 1952 Jan Bons
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Drukkersweekblad en Autolijn: Compiling Dutch Design History

Each year, leading Dutch artists were commissioned to design the covers and inner pages of Drukkersweekblad en Autolijn. Including designers included Dick Elffers, Willem Sandberg, Jan van Toorn, Wim Crouwel, and Jurriaan Schrofer. The journal documented important design trends and developments in The Netherlands.

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9 jaar Stedelijk Museum Amsterdam, 1945-54 designed by Willem Sandberg
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Willem Sandberg – Life and Legacy

This 1,500 word essay is about the life and work of Willem Sandberg and is illustrated with part of my collection of over 100 pieces of Sandberg’s work, including books, Stedelijk Museum catalogues, and various individual printed items.

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Sketches by Jan Slothouber and William Graatsmas for the Cubic Children’s Stamps of 1970. Scanned from nederlandse postzegels 1970, Staatsbedrij der PTT, 1970
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Jan Slothouber and William Graatsma’s Cubic Children’s Stamps of 1970.

The stamps for the 1970 editions were designed by Jan Slothouber and William Graatsma in collaboration with the Centre for Cubic Constructions (CCC) in Heerlen.  Every stamp displays a different corner point of the same block, highlighting eight distinct corner points, with four chosen for their unique identities.

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Holland Festival 72 Stamp Designed by Dick Elffers
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Dick Elffers and his 1972 Holland Festival and Floriade stamp designs

Dick Elffers, had been the chosen designer for the printed matter of the Holland Festival for much of the festival's years, he used a painterly style for his work with the festival between 1954 and 1965 and later a more abstract style between 1969 and 1972. As well as publicity design, Elffers was commissioned to design the summer stamps to promote the Holland Festival in 1972.

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Social Welfare Funds, Netherlands Maxi Card (Yellow), 1970. Designed by Ootje Oxenaar
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The Innovative Netherlands Stamps designed by Ootje Oxenaar in 1970

Ootje Oxenaar designed the summer stamps for the Netherlands using an assignment from De Nederlandsche Bank based on banknotes. The assignment resulted in the collaboration of Oxenaar, the printer, the laboratory and the banking specialist, in which they experimented with the design of securities on printed matter.

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De 8 en Opbouw, 8e jaargang No 13, 3 Juli 1937 designed by Paul Schuitema
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Typophoto. Paul Schuitema and his cover designs for De 8 en Opbouw

Throughout the 1920s and 1930s, Paul Schuitema emerged as one of the Dutch pioneers of new typography. This article features a selection of the cover designs and a few inner spreads from my collected issues of De 8 en Opbouw.

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"Kissho, Shofuku, Hanjo" Tadanori Yokoo's Silkscreen Poster Exhibition in 1997
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“Kissho, Shofuku, Hanjo” Tadanori Yokoo’s Silkscreen Poster Exhibition in 1997

In 1997 Tadanori Yokoo showcased 31 new silkscreens at the Ginza Graphic Gallery in Tokyo. Many of these works were previously unseen, and I was fortunate enough to discover a feature in a back issue of Idea magazine that showcased the full collection of silkscreen posters. 

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IBM, Traffic Planning Service Brochure designed by Banks & Miles. Scanned from Banks & Miles, Agency Portfolio Book, 1970s
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Banks & Miles. Designing Public Information

Banks & Miles, were founded in 1958 by Colin Banks and John Miles and became renowned for their design work with major British institutions and companies. They made significant contributions to type design and corporate identity.

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Bruno Schmidt Advertisement, 1962. Designed by Günter Heil. Scanned from Gebrauchsgraphik, 5, 1965
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Advertising 16mm Film. The work of Günter Heil

Little is known about the designer Günther Heil. he established his graphic studio in Berlin and designed many advertisements for 8mm and 16mm film distributor Bruno Schmidt in the 1960s. These were created in the same era as the film distributor Atlas Films was sending films to art-house theatres and were hiring designers Hans Hillmann, Hans Michel, Günther Kieser, Wolfgang Schmidt and Karl Oskar Blase.

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Poster for a kimono show designed by Yoshio Hayakawa. Scanned from Gebrauchsgraphik 06, 1953
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East Meets West. The advertising posters of Yoshio Hayakawa

Yoshio Hayakawa was born in Osaka, Japan, in 1917 and became a leading designer and artist in postwar Japan. His work was a harmonisation of traditional Japanese art with Western art.

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Gebrauchsgraphik, 4, 1936
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Gebrauchsgraphik – Almost a Century of Design Reference

The dedication of Gebrauchsgraphiks editors and publishers significantly influenced the spread and impact of graphic design, documenting countless designers who might otherwise have been forgotten over the last century since its first issue hit newsstands. Design magazines play a crucial role in supporting the design profession and remain vital resources for designers and historians alike.

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History of Physics, Leisure Arts Limited, 1964. Designed by Erik Nitsche
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The New Illustrated Library of Science and Invention designed by Erik Nitsche

Erik Nitsche's notable book series, the New Illustrated Library of Science and Invention comprised twelve volumes and they are a fantastic example of how to design a perfect non-fiction book!

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Artrosil B Advertisement designed by Franco Grignani in 1953. Scanned from Gebrauchsgraphik 03, 1956
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Franco Grignani’s Pharmaceutical Advertising Design

Franco Grignani’s ability to push design boundaries with his clients is a testament to his artistic eye and talent. His work on Bellezza d’Italia remains a fantastic example of how design can elevate and transform pharma goods.

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Alfieri & Lacroix Advertisement designed by Franco Grignani. Scanned from Gebrauchsgraphik 04, 1962
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Advertisements for Alfieri & Lacroix by Franco Grignani

Franco Grignani (1908-1999) was one of the twentieth century’s most important Italian graphic designers. Scanning the inner pages of Gebrauchsgraphik 04, 1962, I have managed to collate a selection of the advertisements created in the 1950s and early 1960s, showcasing his groundbreaking design work.

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Bundesministerium für Post und Telekommunikation, Poster, 1956 designed by Hans Schweiss. Scanned from Gebrauchsgraphik 06, 1956
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Posters from the 1956 Best German Posters Awards (Die besten Plakate des Jahres)

Gebrauchsgraphik 06, 1956 features a selection of the posters entered into the 1956 awards. It is unknown how many entries were submitted to the 1956 awards but a total of 21 posters were awarded.

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Süddeutsche Rundfunk, Brochures, 1959-60. Designed by Hans Geipe
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Hans Geipel’s Brochure Designs for Süddeutsche Rundfunk (SDR)

A collection of letterpresses German brochures from 1959/1960 designed by Hans Geipel for Süddeutsche Rundfunk (SDR), the South German Radio Network based in Stuttgart.

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Heart Anatomy, Function And Diseases, Dell, 1962. Illustrated by George Giusti
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George Giusti – Illustrating the Hearts Anatomy, Function, and Diseases

"Heart: Anatomy, Function, and Diseases" (Dell, 1962), by Rudolf Hoffmann and illustrated by George Giusti, demonstrates how illustrations effectively convey complex and emotional topics whilst providing valuable information.

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2000 PX
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The 1920s design work of Joseph Binder

Joseph Binder established his studio, Wiener Graphik, in Vienna. One of the first clients was the City of Vienna’s Music and Theater Festival, followed by many other posters and logos for clients in Austria and beyond.

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Ezio Bonini’s 1950s Advertisements for Linoleum scanned from Gebrauchsgraphik, 08, 1954
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Ezio Bonini’s 1950s Advertisements for Linoleum

Ezio Bonini's work for "Società del Linoleum" in Milan, showcasing advertisements designed for various Italian newspapers aimed at expanding the linoleum market

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Ads in trade journals for Bayer, Leverkusen designed by Wolfgang Bäumer c. 1962-1964. Scanned from Gebrauchsgraphik, July 1966
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Dynamic Form. The 1960s Advertising Design of Wolfgang Bäumer

Wolfgang Bäumer's advertising design for Bayer, Klöckner Works and the Lottery. His adaptable design aesthetic alongside his skills of convening messaging through visuals are fantastic examples of mid-century German graphic design.

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Nieuw Ensemble, Nieuw Ensemble 20 Jaar, Brochure, 2001. Designed by Jan Bons copy
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Designing History: The Legacy of Jan Bons

This 1,500 word essay focused on the work of Jan Bons. One of the most prominent figures in Dutch design history. For over three-quarters of a century, he crafted a mass of work with many long-time collaborators.

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Olympia Advertising, late 1950s - early 1960s. Desigend by A. E. Wuttke
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Advertising and Information. Design for Olympia-Werke AG

The collection of works I've gathered, designed for Olympia-Werke, showcases the height of mid-century German commercial artistry. The work was collated in a branded folder and contained forty brochures, advertisements and manuals.

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Graphis 124, 1966. Cover design by Toshihiro Katayama.
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The Structured Forms of Toshihiro Katayama

Katayama worked in several art and design disciplines from graphic design and sculpture to environmental works and sculpture. His design work features rhythms and patterns and has a resemblance to modern jazz and the studies of Josef Albers.
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Artefacts Featuring the Work of Design Archive Feature

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Idea 81, 1967. Cover design by Yusaku Kamekura
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Yūsaku Kamekura. Japanese Graphic Designer | 1915 – 1997

Yūsaku Kamekura had a long list of clients and as well as cover designs, he worked across logo and brand design, packaging, book design, and other printed matter, but he is particularly known for his poster design. His clients included Nikon, Tokyo 1964 Olympics, Meiji and TDK.

Members Content

Idea 46, 1961. Cover design by Hiroshi Ohchi.
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Hiroshi Ohchi. Japanese Graphic Designer | 1908 – 1974

Hiroshi Ohchi was a prominent Japanese designer, known for his playful and imaginative illustrated poster and packaging designs. He often combined bright colours with simple geometric forms and illustrated people and humanistic elements.

Members Content

Kazumasa Nagai. Japanese Graphic Designer | 1929
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Kazumasa Nagai. Japanese Graphic Designer | 1929

Kazumasa Nagai  (永井 一正) was born in 1929 in Osaka and is one of Japan's most acclaimed graphic designers. He designed iconic corporate logos for major companies such as Mitsubishi UFJ, Japan Railways, Nissin, and TEPCO and designed 100s of posters.