Category: Magazines & Publishing

Articles on the history of design magazines and graphic design publishing. Gebrauchsgraphik, Graphis, Idea, and the publications that shaped design culture.

Design magazines have been the primary vehicle for transmitting graphic design ideas across borders and between generations. These articles explore the history of design publishing through the magazines, journals, and periodicals in the Design Reviewed archive including Gebrauchsgraphik, Graphis, Idea, and many more.

Articles Related to Magazines & Publishing

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The Face shocked the world of magazines, and the design industry, with its revolutionary design by Neville Brody.

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Across Europe, industry unions and trade journals shaped the professionalisation of graphic design between 1890 and 1930. Journals such as Typografia, Das Plakat, The Penrose Annual and Typographische Jahrbucher.

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A great way to visualise these stylistic variations and their progression is by looking through magazine covers and interior pages produced during the movement. The covers of Typografia that best represent the Czech Secese style of Art Nouveau were produced between 1907 and 1911.

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The supplement in the November issue of Der Druckspiegel from 1964 featured a ton of work designed by Peter Steiner, a graphic artist; Peter Beck, his colleague; and Rolf Herkner, a photographer. The three of them worked in collaboration to design ‘graphic-typographic-photographic experiments’.

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Last year (2024), I came across a selection of his design work for n+m: Naturwissenschaft und Medizin (Natural Science and Medicine) magazine. Erwin Poell's work for n+m magazine, which was published between 1964 and 1971 by C.F. Boehringer & Söhne, is a fantastic example of engaging and accessible data visualisation.

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Each year, leading Dutch artists were commissioned to design the covers and inner pages of Drukkersweekblad en Autolijn. Including designers included Dick Elffers, Willem Sandberg, Jan van Toorn, Wim Crouwel, and Jurriaan Schrofer. The journal documented important design trends and developments in The Netherlands.

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Throughout the 1920s and 1930s, Paul Schuitema emerged as one of the Dutch pioneers of new typography. This article features a selection of the cover designs and a few inner spreads from my collected issues of De 8 en Opbouw.

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The dedication of Gebrauchsgraphiks editors and publishers significantly influenced the spread and impact of graphic design, documenting countless designers who might otherwise have been forgotten over the last century since its first issue hit newsstands. Design magazines play a crucial role in supporting the design profession and remain vital resources for designers and historians alike.
As a champion of graphic design history, I was thrilled to find the upcoming book "Penrose 1964-73: The Herbert Spencer Years," a captivating visual anthology dedicated to honouring Spencer's legacy as a trailblazer in modern typography. Spanning 288 pages, this book commemorates Spencer's influential editorship at the Penrose Annual from 1964 to 1973.

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Gregory Vines' design and process behind the Typographische Monatsblätter 1978 covers. From the initial inspiration drawn from Bellinzona's gate to the process of film montage, resulting in six stunning cover masterpieces.

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In 1964, Sugiura was commissioned by the magazine Design to design each of their twelve monthly cover designs. Creating a series of systems which set the foundations for the design.

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Before ascending to fame within the contemporary art scene, Warhol enjoyed a thriving career as a commercial artist. His illustration work was commissioned by various magazines, including The New Yorker, Vogue, and Harper's Bazaar.

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Victorian Graphic Design left a mark on both British and American design history. In Britain, the ornate embellishments served as a symbol of prosperity and cultural values. Meanwhile, America embraced the combination of various design elements to navigate the complexities of a rapidly changing society driven by industrialisation and consumerism.

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Many influential British designers have made their names in the history books. Abram Games, Alan Fletcher, Tom Eckersley and Derek Birdsall, to name a few. But one designer that has always influenced me, not only as inspiration from their design output, but as an example of the role of a designer and the importance of having strong ethics, is Ken Garland. He is known for his innovative and socially responsible approach to graphic design and his involvement in the design community through his teaching, writing and activism. In the second instalment of this series, I will discuss Ken Garland's magazine work from my collection.
The covers of the periodical ALMANAQUE, which was published in Lisbon, are perfect examples of this pleasure in the unusual and the force of with which all sorts of foreign influences are assimilated.

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Oldřich Hlavsa worked primarily in publication design and typography and played a major part in Czech graphic design history. He designed over 2000 book covers and published a series of his own books related to typography.

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Interiors was an American magazine published by Whitney Publications, New York and ran from 1940. Before being relaunched as Interiors, the magazine was originally called The Upholsterer which ran from 1888 until 1940.

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Publimondial was founded André Roulleaux in 1942 and remained in circulation until 1960. The French journal was published by Art et Publications and was subtitled ‘The Magazine of Graphic Arts and Advertising Technique’.

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Graphis is one of the industries most long-standing magazines. It was first published in 1944 and founded by Walter Herdeg and Walter Amstutz in Zurich, Switzerland. It was released bimonthly and was trilingual, with articles in English, French and German.

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Theo Crosby was born in South Africa in 1925 and moved to Britain in the late 1940s. He was a highly skilled designer, architect and sculptor. He became the technical editor of Architectural Design magazine in 1953 and remained in the post for almost a decade. The large format magazines feature an array of content including information on buildings, materials and architectural plans.

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Before setting up Ken Garland & Associates in Camden, London, Ken was art editor of Design magazine in 1956. The magazine was published by the Council of Industrial Design, which was set up in 1944 with the prime focus of supporting Britains economic recovery.

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Industrial design was an American design magazine featuring furniture, ceramics, housewares, appliances, automobiles, buildings, radios, projectors, televisions, and many other objects designed for the postwar middle class. First published in the 1950s by Charles Whitney with Alvin Lustig as art director.

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Jazz Journal was first published in 1946 by Sinclair Traill, who also had some of his photographs used on the covers. The magazine is now online but remained in print for several decades, as Britain's longest enduring jazz magazine.

More from Design Reviewed

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A mixed set of tickets from various Japanese lotteries dating from 1956 to 1985, including the Tokyo Metropolitan, West Japan and National Local Autonomy lotteries.

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The Face shocked the world of magazines, and the design industry, with its revolutionary design by Neville Brody.

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A 1939 article on American designer, Walter Frank Bomar, published in The Inland Printer, Vol 104, No. 03, 1939.