Category: Regional Histories

Articles on regional graphic design histories. The national design traditions of Germany, Japan, Switzerland, Italy, the USA, the
Netherlands, and beyond.

The largest category in the Design Reviewed article library. Articles exploring the national and regional graphic design traditions documented in the archive. From German Gebrauchsgraphik and Swiss modernism to Japanese design culture and Italian advertising, these articles examine how place has shaped graphic design history.

Articles Related to Regional Histories

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A collected visual record of the Kanto, Chubu and Tohoku Lottery tickets.

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A collected visual record of the first eight years of Japan’s Rural Medical Care Promotion Lottery.

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A continuation of my last article: 50 tickets from Japan spanning nearly 50 years (1956–2004). This time it's another 50, spanning 50 years, 1956–2006.

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50 tickets from Japan spanning nearly 50 years (1956–2004).

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60 examples of Czech typography from Typografia Vol. 21 (1910). Czech commercial printing and book design as Secession ornament progressed to early modernist typography, with work by Alois Rieger, Methoděj Kaláb, Alois Chvála and many more.

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60 examples of Czech typography from Typografia Vol. 23 (1912). Czech commercial printing and book design as Secession ornament progressed to early modernist typography, with work by Jindra Dvořáček, Methoděj Kaláb, Alois Chvála and many more.

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60 examples of Czech typography from Typografia Vol. 22 (1911). Czech commercial printing at the crossroads of Art Nouveau and early modernism, with work by Methoděj Kaláb, Alois Chvála, V. H. Brunner and many more.
60 examples of Czech typography from Typografia Vol. 20 (1909). Czech commercial printing at the crossroads of Art Nouveau and early modernism, with work by Methoděj Kaláb, Otokar Císař, Karel Dyrink and many more.

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40 examples of Czech typography from Typografia Vol. 18 (1907). Czech commercial printing at the crossroads of Art Nouveau and early modernism, with work by Otokar Císař, Method Kaláb, and Mořic Novotný.

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50 examples of Czech typography from Typografia Vol. XIX (1908). Czech commercial printing at the crossroads of Art Nouveau and early modernism, with work by Otokar Císař, Method Kaláb, and Mořic Novotný.

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A great way to visualise these stylistic variations and their progression is by looking through magazine covers and interior pages produced during the movement. The covers of Typografia that best represent the Czech Secese style of Art Nouveau were produced between 1907 and 1911.

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An overview of Graphic Design from Japan from the year 1960, complemented by 50 scanned images from Annual of Advertising Art in Japan 1960 (Bijyutu Shuppan Sha, 1960).

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Following on from my previous articles on post-war Italian publicity design, an additional annual from 1962-63 showcases more examples of Italian advertising.

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The clear, rational, and functional design of 1960s industrial design brochures.

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One of the main features in Gebrauchsgraphik 08, 1962 is focused on the 1961/62 annual poster awards in Germany. Over 400 posters were submitted to the awards.

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One of the main features in Gebrauchsgraphik 08, 1963 is focused on the 1962/63 annual poster awards in Germany. Over twenty posters were awarded by the Association of German Commercial Artists.

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Following on from my previous article on publicity design from 1957-58, an additional annual from 1959-60 showcases another year of great advertising and design from Italy.

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Gebrauchsgraphik 08, 1964 features a selection of the German Posters entered into the 1963/64 awards. 22 posters were awarded by the Association of German Commercial Artists and the awards showcased some of the best poster designs of the year, that still remain effective and stylish today.

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George Giusti designed around forty releases for Command, complementing the work of other designers like Josef Albers, S. Neil Fujita, Rudolph de Harak, and Charles E. Murphy.

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Pubblicità in Italia 1957-58 gathers the best advertising in Italy, showcases the diverse talents and styles and the clients who were commissioning and embracing modern design.

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These advertisements marked a move away from the illustrated American ads of glamour and American life, and instead used modernist principles and illustrated animals and characters to have a friendlier, more distinctive style of communication.

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This article is part of my ongoing effort to spotlight the unsung heroes of design history. I'm especially passionate about sharing voices and designs that have been overlooked or forgotten. In this piece, I focus on the work of 1980s American graphic designers, in particular, the women who broke boundaries and shaped American visual culture.

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A chance eBay find led me to a rare and extensive collection of work by midcentury American designer Noel Martin, including posters, museum ephemera, and print for major institutions like the Cincinnati Art Museum and Champion Papers.

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While gathering all my type catalogues, brochures, and instructions on print processes, I found a little book titled 43 American Typographic Designers. I have included biographical notes from the designers featured in the exhibition accompanied by artefacts I have collected that they designed.

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Command Records was founded by Enoch Light in 1959, their record sleeves can be distinguished by their bold, illustrated, and abstract cover designs, created by a range of designers.

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Like the other Cartoguides I have collected from Shell, these artefacts follow a consistent format. These were the first printed editions in the Cartoguides series and were published between 1958 and 1960. Each cover design was illustrated by French graphic artist, Jean Colin

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A while back, I bought a set of around 14 French travel guides produced by Shell that came in a leather pouch, each bearing the signature ‘D. Hamot.’ Determining the designer's full name proved to be a challenge. Their aesthetic could reflect the shifting design trends of the late 1960s.

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As part of my ongoing series documenting publicity design in the tourism industry, here is my third piece. This time, I am showcasing my collected work of Eric Lancaster, a highly skilled graphic artist whose designs played a vital role in shaping the visual identity of mid-20th-century French tourism.
More design articles coming soon!

More from Design Reviewed

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A 1939 article on American designer, Walter Frank Bomar, published in The Inland Printer, Vol 104, No. 03, 1939.

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Beyond his books, Dick Bruna's vivid colour and simplified forms found their way onto posters, packaging, murals and stamps, many of which feature in my growing collection.

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An article on Valentin Zietara , originally in German, published in Gebrauchsgraphik, 10, 1930, written by H K Frenzel translated by E. T. Scheffauer