c. 1880 – c. 1910
A reaction against industrialisation, promoting handcraft, honesty in materials, and the integration of design with everyday life.
The Arts and Crafts movement emerged in Britain in the 1860s as a reaction against the degraded quality of industrially produced goods, advocating for the integration of skilled craftsmanship and considered design in everyday objects. In typography and printed matter, the movement produced work of exceptional care , William Morris’s Kelmscott Press, founded in 1891, set new standards for book design that influenced fine press printing well into the twentieth century. The movement’s influence spread to America, where designers like Bruce Rogers extended its principles into commercial book design, and to the Continent, where it fed into Art Nouveau and Jugendstil. The archive documents Arts and Crafts graphic design through book covers, type specimens, and printed ephemera. See also Art Nouveau and Jugendstil and 1890s graphic design history.
Magazines & Publishing, Members Only Content, Movements
The Arts and Crafts movement, in particular its graphic design output is less documented than Art Nouveau and was primarily associated with Britain. Where Art Nouveau spread through international exhibitions and a shared decorative vocabulary that translated easily across posters, magazines and architecture, Arts and Crafts was rooted in British guilds, workshops and societies rather […]
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Design Archive Feature, Members Only Content, Movements, Typography & Type Design
From Jugend and Ver Sacrum to Penrose Annual, an essay on design movements, shaping modernism, and early graphic design.
Read ArticleExplore designers central to this movement including William Morris and Aubrey Beardsley. See also British graphic design history and 1890s graphic design history.
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Design Archive Feature, Designer Profiles, Ephemera, Members Only Content
Beyond his books, Dick Bruna's vivid colour and simplified forms found their way onto posters, packaging, murals and stamps, many of which feature in my growing collection.
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Members Only Content, Design Archive Feature, Designer Profiles
An article on Valentin Zietara , originally in German, published in Gebrauchsgraphik, 10, 1930, written by H K Frenzel translated by E. T. Scheffauer
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Members Only Content, Designer Profiles, Studios & Collectives
A 1903-1904 article on Die Steglitzer Werkstatt, originally in German, published in Deutsche Kunst und Dekoration, Vol. XIII, October 1903–March 1904.
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Regional Histories, Ephemera, Illustration, Members Only Content
A collected visual record of the Kanto, Chubu and Tohoku Lottery tickets.
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Designer Profiles, Members Only Content, Movements
April Greiman is known for her experimental approach to graphic design, her role in the development of Californian New Wave and being one of the first designers to fully embrace the computer in her work.
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Illustration, Ephemera, Members Only Content, Regional Histories
A collected visual record of the first eight years of Japan’s Rural Medical Care Promotion Lottery.
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