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Toshihiro Katayama - Japanese Graphic Designer

Designer: Toshihiro Katayama

Articles Featuring the Work of Toshihiro Katayama

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Graphis 124, 1966. Cover design by Toshihiro Katayama.
  • Design Archive Feature, Members Only Content

The Structured Forms of Toshihiro Katayama

Katayama worked in several art and design disciplines from graphic design and sculpture to environmental works and sculpture. His design work features rhythms and patterns and has a resemblance to modern jazz and the studies of Josef Albers.

Artefacts Featuring the Work of Toshihiro Katayama

Graphis 124, 1966. Cover design by Toshihiro Katayama.
From the design archive:

The Structured Forms of Toshihiro Katayama

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New Direction in Japanese Architecture, Studio Vista, 1968. Cover design by Toshihiro Katayama and book design by Jennie Bush
From the design archive:

New Direction in Japanese Architecture, Studio Vista, 1968

  • Format: Book
  • Designer/s: Cover design by Toshihiro Katayama and book design by Jennie Bush
  • Year: 1968
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New Direction in Latin American Architecture, Studio Vista, 1969. Cover design by Toshihiro Katayama and book design by Jennie Bush
From the design archive:

New Directions in Latin American Architecture, Studio Vista, 1969

  • Format: Book
  • Designer/s: Cover design by Toshihiro Katayama and book design by Jennie Bush
  • Year: 1969
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New Direction in German Architecture, Studio Vista, 1968. Cover design by Toshihiro Katayama and book design by Jennie Bush
From the design archive:

New Directions in German Architecture, Studio Vista, 1968

  • Format: Book
  • Designer/s: Cover design by Toshihiro Katayama and book design by Jennie Bush
  • Year: 1969
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Toshihiro Katayama, Visuelle Konstruktionen, Galerie abc, 1965
From the design archive:

Toshihiro Katayama, Visuelle Konstruktionen, Galerie abc, 1965

  • Format: Exhibition Catalogue
  • Designer/s: Toshihiro Katayama
  • Year: 1965
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Industrial Art News – Vol. 30, No. 3, Summer 1962. Cover design by Toshihiro Katayama
From the design archive:

Industrial Art News – Vol. 30, No. 3, Summer 1962

  • Format: Magazine
  • Designer/s: Toshihiro Katayama
  • Year: 1962
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Quarterly Design No.7 Autumn 1974. Cover design by Toshihiro Katayama
From the design archive:

Quarterly Design No.7 Autumn 1974

  • Format: Magazine
  • Designer/s: Toshihiro Katayama
  • Year: 1974
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Graphis 124, 1966. Cover design by Toshihiro Katayama.
From the design archive:

Graphis 124, 1966

  • Format: Magazine
  • Designer/s: Toshihiro Katayama
  • Year: 1966
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Idea 164, 1981-1. Cover design by Toshihiro Katayama
From the design archive:

Idea 164, 1981-1

  • Format: Magazine
  • Designer/s: Toshihiro Katayama
  • Year: 1981
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More from Design Reviewed

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Drukkersweekblad en Autolijn Kerstnummer 1952, 1952 Jan Bons
  • Design Archive Feature, Members Only Content

Drukkersweekblad en Autolijn: Compiling Dutch Design History

Each year, leading Dutch artists were commissioned to design the covers and inner pages of Drukkersweekblad en Autolijn. Including designers included Dick Elffers, Willem Sandberg, Jan van Toorn, Wim Crouwel, and Jurriaan Schrofer. The journal documented important design trends and developments in The Netherlands.

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9 jaar Stedelijk Museum Amsterdam, 1945-54 designed by Willem Sandberg
  • Design Archive Feature, Members Only Content

Willem Sandberg – Life and Legacy

This 1,500 word essay is about the life and work of Willem Sandberg and is illustrated with part of my collection of over 100 pieces of Sandberg’s work, including books, Stedelijk Museum catalogues, and various individual printed items.

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Sketches by Jan Slothouber and William Graatsmas for the Cubic Children’s Stamps of 1970. Scanned from nederlandse postzegels 1970, Staatsbedrij der PTT, 1970
  • Design Archive Feature, Members Only Content

Jan Slothouber and William Graatsma’s Cubic Children’s Stamps of 1970.

The stamps for the 1970 editions were designed by Jan Slothouber and William Graatsma in collaboration with the Centre for Cubic Constructions (CCC) in Heerlen.  Every stamp displays a different corner point of the same block, highlighting eight distinct corner points, with four chosen for their unique identities.