Ken Briggs and his iconic designs for the National Theatre
The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.
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Ken Briggs was born in 1931 in Derbyshire, studied at Chesterfield School of Arts & Crafts and later at the Central School of Arts & Crafts in London, alongside notable designers like Ken Garland and Colin Forbes. After National Service, he worked briefly as a typographer at Everetts. In the late 1950s, Ken freelanced for clients like the Arts Council and Rathbone Books while teaching part-time. In the 1960s, he won the design contract for The National Theatre, where his use of photography and Letraset set the visual tone for its future designs.
Joseph Binder established his studio, Wiener Graphik, in Vienna. One of the first clients was the City of Vienna’s Music and Theater Festival, followed by many other posters and logos for clients in Austria and beyond.
The Best Swiss Posters Award was an annual competition, judged by a Swiss Jury. They selected a range of posters, showcasing a range of poster styles from completely typographic designs such as the work of Robert Büchler, to the illustrated posters of Donald Brun.
The best poster designs from Die besten Plakate des Jahres 1956 with a translated foreword by Jakob Rudolf Welti. Featuring the work of Herbert Leupin, Carl B. Graf, Carlo Vivarelli and Emil Ruder.
A short essay and scanned advertising from Swiss Industrial Graphic Design. A rare book focused on effective industrial promotion authored by Hans Neuburg. The design of the book is credited to Hans Neuburg and Walter Bangerter.