Emigre was published between 1984 and 2005 in Berkeley, California, and pushed the boundaries of visual communication, graphic design and typography.
Emigre was among the first design publications to be produced entirely on the Macintosh computer. Over its 69 issues, Emigre became the critical journal of the Postmodern design movement, publishing essays, interviews, and visual work by the most significant designers of the era. The archive holds issues from across the magazine’s run, documenting a publication that was both a product and a record of the most significant technological shift in design history. See also April Greiman, Postmodernism, and 1980s graphic design history.
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Members Only Content, Designer Profiles
A 1939 article on American designer, Walter Frank Bomar, published in The Inland Printer, Vol 104, No. 03, 1939.
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Design Archive Feature, Designer Profiles, Ephemera, Illustration, Members Only Content
Beyond his books, Dick Bruna's vivid colour and simplified forms found their way onto posters, packaging, murals and stamps, many of which feature in my growing collection.
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Members Only Content, Design Archive Feature, Designer Profiles
An article on Valentin Zietara , originally in German, published in Gebrauchsgraphik, 10, 1930, written by H K Frenzel translated by E. T. Scheffauer
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Members Only Content, Designer Profiles, Studios & Collectives
A 1903-1904 article on Die Steglitzer Werkstatt, originally in German, published in Deutsche Kunst und Dekoration, Vol. XIII, October 1903–March 1904.
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Regional Histories, Ephemera, Illustration, Members Only Content
A collected visual record of the Kanto, Chubu and Tohoku Lottery tickets.
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Designer Profiles, Members Only Content, Movements
April Greiman is known for her experimental approach to graphic design, her role in the development of Californian New Wave and being one of the first designers to fully embrace the computer in her work.
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