Pubblicità in Italia was an Italian advertising and graphic design annual documenting commercial art, branding, typography, and visual communication in post-war Italy.
Pubblicità in Italia was an Italian advertising and graphic design annual documenting the best Italian commercial art each year. Its volumes provide a year-by-year record of Italian advertising design from the postwar recovery through to the postmodern period, covering poster design, press advertising, packaging, and corporate identity.
The archive holds various editions. See also Italian Modernism and Italian graphic design history.
Advertising Design, Members Only Content, Regional Histories
Following on from my previous articles on post-war Italian publicity design, an additional annual from 1962-63 showcases more examples of Italian advertising.
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Advertising Design, Design Archive Feature, Members Only Content, Regional Histories
Following on from my previous article on publicity design from 1957-58, an additional annual from 1959-60 showcases another year of great advertising and design from Italy.
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Advertising Design, Design Archive Feature, Members Only Content, Regional Histories
Pubblicità in Italia 1957-58 gathers the best advertising in Italy, showcases the diverse talents and styles and the clients who were commissioning and embracing modern design.
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From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
Design Archive Feature, Designer Profiles, Ephemera, Members Only Content
Beyond his books, Dick Bruna's vivid colour and simplified forms found their way onto posters, packaging, murals and stamps, many of which feature in my growing collection.
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Members Only Content, Design Archive Feature, Designer Profiles
An article on Valentin Zietara , originally in German, published in Gebrauchsgraphik, 10, 1930, written by H K Frenzel translated by E. T. Scheffauer
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Members Only Content, Designer Profiles, Studios & Collectives
A 1903-1904 article on Die Steglitzer Werkstatt, originally in German, published in Deutsche Kunst und Dekoration, Vol. XIII, October 1903–March 1904.
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Regional Histories, Ephemera, Illustration, Members Only Content
A collected visual record of the Kanto, Chubu and Tohoku Lottery tickets.
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Designer Profiles, Members Only Content, Movements
April Greiman is known for her experimental approach to graphic design, her role in the development of Californian New Wave and being one of the first designers to fully embrace the computer in her work.
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Illustration, Ephemera, Members Only Content, Regional Histories
A collected visual record of the first eight years of Japan’s Rural Medical Care Promotion Lottery.
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