Typografia is a Czech typography and printing journal featuring technical articles and historic design. The magazine was first released in 1888 in Prague.
Design Archive Feature, Members Only Content, Regional Histories, Typography & Type Design
60 examples of Czech typography from Typografia Vol. 22 (1911). Czech commercial printing at the crossroads of Art Nouveau and early modernism, with work by Methoděj Kaláb, Alois Chvála, V. H. Brunner and many more.
Read Article
Design Archive Feature, Members Only Content, Regional Histories, Typography & Type Design
60 examples of Czech typography from Typografia Vol. 20 (1909). Czech commercial printing at the crossroads of Art Nouveau and early modernism, with work by Methoděj Kaláb, Otokar Císař, Karel Dyrink and many more.
Read Article
Design Archive Feature, Members Only Content, Regional Histories, Typography & Type Design
40 examples of Czech typography from Typografia Vol. 18 (1907). Czech commercial printing at the crossroads of Art Nouveau and early modernism, with work by Otokar Císař, Method Kaláb, and Mořic Novotný.
Read Article
Design Archive Feature, Members Only Content, Regional Histories, Typography & Type Design
50 examples of Czech typography from Typografia Vol. XIX (1908). Czech commercial printing at the crossroads of Art Nouveau and early modernism, with work by Otokar Císař, Method Kaláb, and Mořic Novotný.
Read Article
Design Archive Feature, Magazines & Publishing, Members Only Content, Regional Histories
A great way to visualise these stylistic variations and their progression is by looking through magazine covers and interior pages produced during the movement. The covers of Typografia that best represent the Czech Secese style of Art Nouveau were produced between 1907 and 1911.
Read Article
Design Archive Feature, Designer Profiles, Magazines & Publishing, Members Only Content, Regional Histories
Oldřich Hlavsa worked primarily in publication design and typography and played a major part in Czech graphic design history. He designed over 2000 book covers and published a series of his own books related to typography.
Read Article
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
Designer Profiles, Members Only Content, Movements
April Greiman is known for her experimental approach to graphic design, her role in the development of Californian New Wave and being one of the first designers to fully embrace the computer in her work.
Read Article
Illustration, Ephemera, Members Only Content, Regional Histories
A collected visual record of the first eight years of Japan’s Rural Medical Care Promotion Lottery.
Read Article
Design Archive Feature, Designer Profiles, Members Only Content
A 1936 article on Ludwig Hohlwein, originally in German, published in Graphische Nachrichten, Vol 13, 11, November 1934
Read Article
Regional Histories, Ephemera, Illustration, Members Only Content
A continuation of my last article: 50 tickets from Japan spanning nearly 50 years (1956–2004). This time it's another 50, spanning 50 years, 1956–2006.
Read Article
Ephemera, Illustration, Members Only Content, Regional Histories
50 tickets from Japan spanning nearly 50 years (1956–2004).
Read Article
Design Archive Feature, Members Only Content, Regional Histories, Typography & Type Design
60 examples of Czech typography from Typografia Vol. 21 (1910). Czech commercial printing and book design as Secession ornament progressed to early modernist typography, with work by Alois Rieger, Methoděj Kaláb, Alois Chvála and many more.
Read Article