Antonio Calderara, Prinzip Seriel, Kunstmuseum Düsseldorf, 1972

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Antonio Calderara, Prinzip Seriel, Kunstmuseum Düsseldorf, 1972
Antonio Calderara, Prinzip Seriel, Kunstmuseum Düsseldorf, 1972
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The advertising has a certain contrast of hand-drawn and mechanical. Produced entirely in black, it reminds us that the absence of colour can be highly effective. Hans Michel and Günther Kieser's illustrations bring a sense of both playfulness and a stylistic approach to a corporate client.
Among the young graphic artists of Berlin, who set to work after the war, Hans Adolf Albitz and Ruth Albitz-Geiß can claim special attention. In a short time, at a period when economic conditions were pretty unfavourable, they worked themselves so to the fore that their names came to mean something in Berlin publicity, and in western Germany their posters are known and appreciated, too.
Support American Bauhaus on Kickstarter to pre-finance the project and its production: www.kickstarter.com/projects/908813786/american-bauhaus
A new online archive makes the complete works of the famous graphic designer accessible