Aeroflot, 6 different brochures in folder , 1970

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Aeroflot, 6 different brochures in folder , 1970
Aeroflot, 6 different brochures in folder , 1970
Aeroflot, 6 different brochures in folder , 1970
Aeroflot, 6 different brochures in folder , 1970
Aeroflot, 6 different brochures in folder , 1970
Aeroflot, 6 different brochures in folder , 1970
Aeroflot, 6 different brochures in folder , 1970
Aeroflot, 6 different brochures in folder , 1970
Aeroflot, 6 different brochures in folder , 1970
Aeroflot, 6 different brochures in folder , 1970
Aeroflot, 6 different brochures in folder , 1970
Aeroflot, 6 different brochures in folder , 1970
aeroflot 0003 Scan 16
Aeroflot, 6 different brochures in folder , 1970
Aeroflot, 6 different brochures in folder , 1970
Aeroflot, 6 different brochures in folder , 1970
Aeroflot, 6 different brochures in folder , 1970
Aeroflot, 6 different brochures in folder , 1970Aeroflot, 6 different brochures in folder , 1970
Aeroflot, 6 different brochures in folder , 1970
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As part of an ongoing series showcasing Swiss poster designs from the 1950s and 1960s, this article features 1961 poster entries of Die besten Plakate des Jahres (The Best Posters of the Year) 1961. Originating in 1941, Die besten Plakate des Jahres initially served as a platform for the evaluation and showcase of Swiss posters.

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These one-colour forms have a playful but structured aesthetic through their geometric forms, they remind me of the abstract line drawings of Picasso blended with Jan Tschichold and the New Typography.
“They’ll never stand for that” and “It’s too modern” are, as George Plante aptly puts it, the restraintive thoughts which beset a commercial artist who tries to let himself go.

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The 1960 awards presented 420 poster entries from Swiss designers. Notable winners included Robert Büchler's typographic poster for the Museum of Applied Arts Basel and J. Müller-Brockmann’s Der Film poster for the Museum of Applied Arts and Gerstner + Kutter's asymmetric typographic poster for National-Zeitung SA Basel.