Information

ditor in chief: Yoshihisa Ishihara
Editorial Director: Noboru Sakamoto
Publisher: Shigeo Ogawa
Editorial Cooperation: Ohchi Design Office
Editorial Cooperation: Midori Imatake
Printers: Nishiki Printing Co., Ltd.
Printers: Mitsumura Printing Co., Ltd.
Printers: Dainippon Printing Co., Ltd.
Cover Design: Mick Haggerty

Content includes:
Special feature: The Society of Illustrators 22nd Annual Exhibition: Editorial Category, Book Category, Advertising Category, Institutional Category, Most Outstanding, Norman Rockwell Award, TV/Film Category, Foreign Category
Recent Works of Mick Haggerty by Takenobu Igarashi
In the Turning of the Page: The Work of Frances Butler by Marc Treib
Simon Jennings by Shigeru Watano
Kazumasa Nagai, One-Man Show Drawing by Mamoru Yonekura
The Book for Gazing by Anton Stankowski Alain Carré by Midori Imatake
The 8th International Poster Biennale, Warshaw 1980 by Makoto Nakamura
Report from the “Packaging Graphics in Japan” New York Exhibition by Shinichiro Tora
The Art and Advertising Design Department of New York City Community College by Prof. Benjamin Einhorn

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Linked Information

Idea 163, 1980-11. Cover design by Mick Haggerty
Idea 163, 1980-11. Cover design by Mick Haggerty
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
A new interpretation of the work of Bramante, suggesting an agenda for contemporary architectural practice.

Members Content

Interiors was an American magazine published by Whitney Publications, New York and ran from 1940. Before being relaunched as Interiors, the magazine was originally called The Upholsterer which ran from 1888 until 1940.

Members Content

Jazz Journal was first published in 1946 by Sinclair Traill, who also had some of his photographs used on the covers. The magazine is now online but remained in print for several decades, as Britain's longest enduring jazz magazine.
“They’ll never stand for that” and “It’s too modern” are, as George Plante aptly puts it, the restraintive thoughts which beset a commercial artist who tries to let himself go.