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Collected Graphic Design History from Design Reviewed

Idea 308, 2005-1

Information

Content includes:
Special Feature: Mevis & Van Deursen Recycled Works 1995-2005
Armand Mevis and Linda van Deursen have worked together as a partnership “Mevis & van Deursen” in Amsterdam. The special feature articles covering 64 pages re-edited and recycled by MEVD.
Works of Tatsuya Ariyama–Another Common
Introducing works by Art director Tatsuya Ariyama
Weather, Poetry and Graphic Design
Telephone cards designed by Experimental Jetset
Pirouette Designing typefaces based on a practice of calligraphy- Interview with Ryuichi Tateno
WAIST DOWN – International traverillng exhibition curated by AMO/OMA

Details

  • Format: Magazine
  • Designer/s: Mevis & Van Deursen
  • Year: 2005
  • Client/Publisher: Seibundo Shinkosha Publishing Co
  • Size: 226mm x 297mm

Linked Information

Idea 308, 2005-1. Mevis & Van Derusen Special
Idea 308, 2005-1. Mevis & Van Deursen Special
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Letter-forms & Lettering by John R. Biggs, Blandford Press, 1977
From the design archive:

Letter-forms & Lettering by John R. Biggs, Blandford Press, 1977

  • Format: Book
  • Year: 1977
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Graphics/Britain, Blandford Press, London, 1971
From the design archive:

Graphics/Britain, Blandford Press, London, 1971

  • Format: Book
  • Designer/s: Blandford Press, London
  • Year: 1971
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Avant Garde Volume 4, September 1968. Designed by Herb Lubalin
From the design archive:

Avant Garde Volume 4, September 1968

  • Format: Magazine
  • Designer/s: Herb Lubalin (Art Director)
  • Year: 1968
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Typographische Mitteilungen, 17 Jahrgang, Heft 7, Juli 1920
From the design archive:

Typographische Mitteilungen, 17 Jahrgang, Heft 7, Juli 1920

  • Format: Magazine
  • Year: 1920
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More graphic design history articles
IMG20220210120614
  • Designer Interview

Designers and Books Series – Sébastien Hayez

I have been reproached for this, and I will surely be reproached again. I have also been reproached for reading more and more obscure works whose readership must be limited to a handful of specialists and a few hobbyists like myself. It’s a heavy passion or a passion that sucks.
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Toho Paper Company logo designed by Yusaku Kamekura
  • Design Archive Feature

Yusaku Kamekura and his Mark Design by Masataka Ogawa

The background of Kamekura's mark designs is his boldness in eliminating all the waste, combining simplification derived from Japanese traditional family crests and Western intellectual mechanics of formation with a sharp modern sense of composition.
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Members Content

Advertisements for Bol spirits designed by Atelier Engelmann and Klaus Oberer in late 50s : early 60s Cover
  • Design Archive Feature, Members Only Content

Bols. Advertising Matter from 1958 to 1961 by Engelmann, Mendell and Oberer

In the late 1950s, Hans W. Brose agency, with designers Pierre Mendell, Michael Engelmann, and Klaus Oberer, crafted a compelling, colourless campaign for Bols.
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Newspaper ads for the metal works Siam di Tella designed by Guillermo Gonzalez Ruiz
  • Design Archive Feature

Guillermo Gonzalez Ruiz by Sigwart Blum, 1964

A few years ago the publicity department of Siam di Tella found a collaborator who early in his studies of architecture was attracted by the problems of visual art. His name is Guillermo González Ruiz he was born in Chascomus (Province of Buenos Aires) in 1937. Between 1957 and 1960 he received 18 awards in poster competitions, some of which were of particular importance.
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