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Content includes:
Frieder Grindler
Elements of Idea “Decoys” by Shigeo Fukuda
Arnold Saks, Inc.
Raúl L. Shakespear
Zdenek Ziegler
Acme Communications, Inc.
Visual Design of the Japan Sea Exhibition by Hiroshi Ohchi
American Gravestones: A Resurgence in interest. Text and photographs by Francis Duval and Ivan Rigby
International Design Cooperation by Dennis Redmond and Midori Imatake
The Art Directors Club’s 18th Annual Communications Conference by Shin-ichiro Tora
Kunio Shimizu’s Personal Exhibition
Graphic Image ’73 by Yusuke Nakahara
An interview with Georges Mathieu – the Role of the Art in the Contemporary Society by Georges Martina
Answers to Questions on IBM’s Recent Advertising Campaign
In an Interview with Arthur Paul by Akiko Hyuga

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Idea 121, 1973-11. Cover design by Frieder Grindler
Idea 121, 1973-11. Cover design by Frieder Grindler
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

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The best poster designs from Die besten Plakate des Jahres 1957 with a translated foreword by Walter Kern. Featuring the work of J. Müller-Brockmann, Gottlieb Soland, Mary Vieira and Celestino Piatti.

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One of Otl Aicher's lesser-known works was the identity and publicity for the Gastein Valley. Gastein valley was a resort for the elderly, an Austrian Alpine village in the Austrian state of Salzburg

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Many influential British designers have made their names in the history books. Abram Games, Alan Fletcher, Tom Eckersley and Derek Birdsall, to name a few. But one designer that has always influenced me, not only as inspiration from their design output, but as an example of the role of a designer and the importance of having strong ethics, is Ken Garland. He is known for his innovative and socially responsible approach to graphic design and his involvement in the design community through his teaching, writing and activism. In the second instalment of this series, I will discuss Ken Garland's magazine work from my collection.

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Little is known about the talented designer Günther Glückert. Born during the 1930s, a period that proved less than conducive to nurturing youthful artistic endeavours, did not halt Glückert's path of becoming a talented designer.