Information

Content includes:
Verbeelde verbeelding by Erik Terlouw
De kunst is waar, de barok is vals by Frank Reijnders
Dierbaar doolhof by Hein Oostveen
Manierisme: dubbelzinnigheid als aanzet tot beweging by Paul van der Ree
Come una oladi fuerza e luz by Frans Sturkenboom
Het merkwaardige perspectief van de architectura obliqua by Filippo Camerotta
Het post-barokke Rome, Piranesi’s stadsgezichten by Gijs Wallis de Vries
Het genie van de meerval by Kees Vollemans

Details

Linked Information

OASE 20, 1988. Designed by Marjolijn Ruijg, Esther van Weelden
OASE 20, 1988. Designed by Marjolijn Ruijg, Esther van Weelden
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
An advertising programme is fully integrated only when its effect is powerful enough to play a major part in determining a corporate image. Geigy advertising is an example of this successful integration.

Members Content

Olle Eksell is well known for his advertising illustration, book jackets and playful packaging design. He first studied engineering and later decided to become a graphic artist. He began his career as a window decorator in 1935, and studied under Hugo Steiner between 1939 and 1941.
The book "Modern Man In The Making" (1939), is a fantastic example of Neurath's work. The book uses Isotype's principles with text to illustrate complex societal issues like globalisation and war's impact on economies, prioritising visual recognition through symbols to aid in memorability—a philosophy that remains paramount in design today.

Members Content

This 1,500 word essay focused on the work of Jan Bons. One of the most prominent figures in Dutch design history. For over three-quarters of a century, he crafted a mass of work with many long-time collaborators.