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De zegels van de stedebouw by Erik Terlouw
Ingezonden brief by Johan van de Beek
Braziliaanse Steden by Wim Nijenhuis
Memento Mori, memento vivere by Elsa van Wezel
Voyage au bout de l’architecture by Bart Goldhoorn, Wim Nijenhuis
De opera van Tokyo by Jean Nouvel

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OASE 25, 1989. Design by Mirjam van den Haspel
OASE 25, 1989. Design by Mirjam van den Haspel
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

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Stephan Kantscheff (Stephan Kanschev) was a Bulgarian artist born in Kaefer, Todental. His colourful palette and joyous, folk-esque illustrations won him many commissions and his work was celebrated for both its quality and social significance.
In minor printed matter we constantly meet the new typography, but it is relatively rare to find posters designed on the new lines. And yet poster-designing is a field where new typographical methods might be employed with great effect.
I came across two sample books containing printed examples of the work executed by the students in the Composing and Machine Departments of the Polytechnic School of Printing, between 1907 and 1910. I couldn't resist adding these to the archive.

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Many influential British designers have made their names in the history books. Abram Games, Alan Fletcher, Tom Eckersley and Derek Birdsall, to name a few. But one designer that has always influenced me, not only as inspiration from their design output, but as an example of the role of a designer and the importance of having strong ethics, is Ken Garland. He is known for his innovative and socially responsible approach to graphic design and his involvement in the design community through his teaching, writing and activism. In the second instalment of this series, I will discuss Ken Garland's magazine work from my collection.