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R. Airoldi, M. Albini, C. Fazzini – The university structures
Gianfranco Frattini – Jewellery in the shop window
Giorgio and Pierangelo Pavesi – American Bar
Studio Passarelli and collaborators – IMI Congress Hall
Giorgio Bellavitis, Nani Valle – Ca ‘Giustinian Pesaro, new office building
Pier Carlo Santini – E. Acerbis, A. Manoukian, L. Prina
Meetings with the protagonists: Vittoriano Viganò
University college in Milan
E. Acerbis, A. Manoukian, L. Prina – Women’s center in Ponte San Pietro
Herbert Öhl – Technology and design
Örni Halloween – Lights under the dome
Gae Aulenti – Bright glasses
St. G4 P. De Martini, G. Falconi, F. Fois – Metamorphosis for an armchair
Cini Boeri – Seat in tube and canvas
Vico Magistretti – Flanders
Piero De Martini – the Barca system
Gaetano Pesce – Sit Down
Attilio Marcolli – The laboratory of vision
Antonio Rossin – The tower of ’89, Reports
Guido Ballo – The sculptures of Carlo Mo from Madagascar to the Naviglio
From a letter from Alessandro Mendini
Direction: Sergio Mazza
Editing: Giuliana Gramigna
Collaboration: Luigi Bearzotti
Graphics: Salvatore Gregorietti (Unimark)
Photographs: Allegri, Ancillotti, Anghinelli, Dance, Cameraphoto, Campi, Capellini, Jodice, The Stone, Masters, Maggi, Masera, Mininno, Mulas, Petraroli, Photo Team, Vahramian.
CO.P.IN.A. s.r.l.
Printing: Ricordi Graphic Arts Milan
Responsible director: Sergio Mazza

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Ottagono 39, 1975. Designed by Salvatore Gregorietti (Unimark)
Ottagono 39, 1975. Designed by Salvatore Gregorietti (Unimark)
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

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Many influential British designers have made their names in the history books. Abram Games, Alan Fletcher, Tom Eckersley and Derek Birdsall, to name a few. But one designer that has always influenced me, not only as inspiration from their design output, but as an example of the role of a designer and the importance of having strong ethics, is Ken Garland. He is known for his innovative and socially responsible approach to graphic design and his involvement in the design community through his teaching, writing and activism. In the second instalment of this series, I will discuss Ken Garland's magazine work from my collection.

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In the late 1950s, Hans W. Brose agency, with designers Pierre Mendell, Michael Engelmann, and Klaus Oberer, crafted a compelling, colourless campaign for Bols.
I have long been a fan of Counter-Print, as a student, I would order their newsprint publications, peruse their Flickr albums and now, over a decade later I still buy their latest releases and their site provides our staff with great giftse throughout the year. I interviewed one of the founders, Jon Dowling to find out more about setting up Counter-Print, their favourite books and which publishers inspire them.

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He designed stamps from around 1955 and in the book Karl Oskar Blase, Briefmarken-Design, Verlag für Philatelistische Literatur, 1981, he was described as one of the most influential stamp designers in Germany.