Industrial Art News – Vol. 25, No. 1, January 1957

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Content includes:
What Do We Expect 1957 to Bring
Ecological Review of Modern Design:
General Survey – KATZUMIE Masaru
Ecology of Form (Graph) – KATZUMIE Masaru
Products and Function (Graph)
Approach to Universal Module System – KEBE Kiyoshi
Ergonomics and Human Engineering – YAMAGUCHI Masaki
Nationality and Internationality in Modern Design – HAMAGUCHI Ryüichi
Italian Products (1)
An Inspection of Industrial Design in America (1) – TOYOGUCHI Katsuhei
Traveling in America – KOJIMA Seiichi
Exhibitions, News
Cover Design: Yusaku Kamekura (Our Cover Artist)

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Industrial Art News - Vol. 25, No. 1, January 1957. Cover design by Yusaku Kamekura
Industrial Art News – Vol. 25, No. 1, January 1957. Cover design by Yusaku Kamekura
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Many influential British designers have made their names in the history books. Abram Games, Alan Fletcher, Tom Eckersley and Derek Birdsall, to name a few. But one designer that has always influenced me, not only as inspiration from their design output, but as an example of the role of a designer and the importance of having strong ethics, is Ken Garland. He is known for his innovative and socially responsible approach to graphic design and his involvement in the design community through his teaching, writing and activism. In the second instalment of this series, I will discuss Ken Garland's magazine work from my collection.
Mark Bloom has designs for globally recognised brands, produces some of the finest, most accessible modern typefaces and heads up Mash Creative and CoType Foundry. His type foundry has always been a port of call for our studio's brand projects and he continues to develop these, each with a fantastic print specimen.

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Little is known about the talented designer Günther Glückert. Born during the 1930s, a period that proved less than conducive to nurturing youthful artistic endeavours, did not halt Glückert's path of becoming a talented designer.

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I have a real passion for collecting Cinderella stamps and other ephemera and love the artistic and historical value of these items. The scarcity of some Cinderella stamps, especially those associated with significant historical events or rare advertising campaigns, makes them highly sought after in the philatelic world.