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Content includes:
SPECIAL ISSUE – ’65 EXHIBITION OF JAPAN ADVERTISING ARTISTS CLUB
A reading of sensualy JAAC theory, by Yusuke KAJI
List of Prize-Winning, Winning Works and Second place Winning
Prize-Winning Works from the general public
Winning• Works from the general public
The beautiful trap and the loss of critical eye, by Shinya IZUMI
More varied forms of exhibition, by Susumu HAYASHI
Defects of JAAC exhibit, by Hiroaki ARIMA
Confusion in design, by Isamu KURITA
Member’s entry
List of JAAC Members
Mark Design as lettering (6), by Takao IMAZU
Designer’s triple Mirror: a by Hiromu HARA
rendez-vous with typography

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Linked Information

Design No.76 October 1965. Cover design by Takashi Kono
Design No.76 October 1965. Cover design by Takashi Kono
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Katayama worked in several art and design disciplines from graphic design and sculpture to environmental works and sculpture. His design work features rhythms and patterns and has a resemblance to modern jazz and the studies of Josef Albers.
A new online archive makes the complete works of the famous graphic designer accessible
An advertising programme is fully integrated only when its effect is powerful enough to play a major part in determining a corporate image. Geigy advertising is an example of this successful integration.

Members Content

The typographic supplement from Der Druckspiegel, October, 1961 features typographic compositions designed by Herbert Bossin. Bossin has solely used the typeface Folio, to illustrate its flexibility and versatility alongside imagery provided by Lothar Blanvalet Verlag.