The Journal of Decorative and Propaganda Arts 12, Spring 1989

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Content includes:
The Lively Poster Arts of Rockwell Kent – Eliot H. Stanley
Marketing Strategies as Indices to Style: The Pottery of Artus Van Briggle – Timothy Robert Rodgers
The Advertising Architecture of Fortunato Depero – Dennis P. Doordan
“New Masses” and John Reed Club Artists, 1926-1936: Evolution of Ideology, Subject Matter, and Style – Virginia Hagelstein Marquardt
Interview: Alan Moss and the Revival of American Modernism – Stephen Neil Greengard and Alan Moss
Correction: Propaganda Art in the Postage Stamps of the Third Reich

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The Journal of Decorative and Propaganda Arts 12, Spring 1989
The Journal of Decorative and Propaganda Arts 12, Spring 1989
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A collection of letterpresses German brochures from 1959/1960 designed by Hans Geipel for Süddeutsche Rundfunk (SDR), the South German Radio Network based in Stuttgart.

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Both the And So To Embroider & And So to Sew bulletins were published by the Needlework Development Scheme. Established in 1934 and operating until 1961, the scheme was a partnership between educational establishments (Scottish art schools, Aberdeen, Dundee, Edinburgh and Glasgow) and industry.
Why Graphic Culture Matters is a compilation of 46 thought-provoking essays by renowned design critic Rick Poynor, delving into the realms of art, design, and visual communication.
I have been reproached for this, and I will surely be reproached again. I have also been reproached for reading more and more obscure works whose readership must be limited to a handful of specialists and a few hobbyists like myself. It’s a heavy passion or a passion that sucks.