Information

Opinion:
Postcards from the edge – Graphic design, Visual culture, Rick Poynor
Inspiration – Typography, Wolfgang Weingart
The ruins of Baalbek in the Lebanon
Editorial Eye 42. – John L. Walters
The physical materials that make up a magazine are straightforward and predictable: there is no need…
Features:
We hardly knew you by Stefan Sagmeister, Peter Hall
Street-corner merchandising tries to remember the twin towers
Detach, detourne and consume by David Crowley
Alienation sells! The seductive flatness of Situationist aesthetics
Information imagined by Andrew Robertson
H2G2 animations anticipated the look and feel of future computers
Day-Glo mind blow by Julia Bigham
Psychedelia hit late 1960s London in an explosion of silk-screen colour
Stephen Byram: art & design by John L. Walters
A New Yorker opts for content, tactility and the sound of surprise
Truth lies in the surface by Adrian Shaughnessy
You can feel it. The unimpeachable authenticity of uncoated board
Pulp artefacts by Fay Sweet
When paper mills target the design business, what should they print?

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Linked Information

Eye, Issue 042, Winter 2001
Eye, Issue 042, Winter 2001
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

The typographic supplement from Der Druckspiegel, October, 1961 features typographic compositions designed by Herbert Bossin. Bossin has solely used the typeface Folio, to illustrate its flexibility and versatility alongside imagery provided by Lothar Blanvalet Verlag.
Gabriel sent me a link to his amazing Uruguayan Graphic Design Archive when I launched Design Reviewed. The content was so amazing, I ended up spending a good hour looking through the content and it has definitely made it to my bookmarks.
Emiliano Grignani is the grandson of Franco Grignani, one of the most versatile and influential Italian designers. Well-known for his advertising, painting and the way he could visualise motion in such a unique way. I interviewed Emiliano to find out more about Franco and his influence on graphic design and the great resource, https://www.francogrignani.info.
"Rudy is one of the unsung pioneers of American mid-century modernist graphic design. He had a unique and definitive point of view that was really never celebrated. This may have been attributed to his strict adherence to the formal principles of modernism and the International Typographic Style."