Information

Content includes:
Trips in France
Advertising of Shell-Mex oil in England
“It’s a great success, the new Shell lubricating oil.”
Two Italian alphabets from the 16th and 17th centuries
The Marly Albums
A map of the Marly parc (18th century)
Sacred Humor from the Far East
From Tree to Book
Solarized photograph by Marcel Bovis.
Drawings by Mentally-Deficient Children
Painting by a Mentally-handicapped Child
Typographical Delirium
My Portraits
Ambroise Vollard
Sonnet. “Little Dancer” (Degas Drawings, Ambroise Vollard’s Collection)
Invitation to an exhibition of the Lewitt-Him works
The Graphics News
Drawing by Géa Augsbourg, from “Our World and Its People”
The Easter Island Tablets
In Foreign Magazines
A New Photocomposition Machine

Details

Linked Information

Arts et Metiers Graphiques, 64, 1938
Arts et Metiers Graphiques, 64, 1938
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
Last month (March 2022), I spoke to over fifty Graphic Design undergraduates about the archive and my passion for design history, after which the students had full access to items in the collection and participated in discourse amongst their peers and lecturers. As part of their critical studies unit, the students will be producing essays and content related to the impact, history and aesthetics of selected artefacts.

Members Content

One of Otl Aicher's lesser-known works was the identity and publicity for the Gastein Valley. Gastein valley was a resort for the elderly, an Austrian Alpine village in the Austrian state of Salzburg

Members Content

The 1960 awards presented 420 poster entries from Swiss designers. Notable winners included Robert Büchler's typographic poster for the Museum of Applied Arts Basel and J. Müller-Brockmann’s Der Film poster for the Museum of Applied Arts and Gerstner + Kutter's asymmetric typographic poster for National-Zeitung SA Basel.
I have always loved the design work created for Olivetti. The colourful midcentury designs by Italian designer Giovanni Pintori, the minimal typographic poster by Swiss designer Walter Ballmer and my personal favourite the 1959 poster for Olivetti designed by Herbert Bayer. I recently found out Triest Verlag released a new book, Visual identity and branding at Olivetti which contains further work by Xanti Schawinsky, Renato Zveteremich, Ettore Sottsass, Hans von Klier, Egidio Bonfante and Walter Ballmer.