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Special Feature: In the Design Field, Today
Thought and Practice of Branding Design around the World
Direction by Idea | Design by LABORATORIES (Kensaku Kato, Megumi Moriya)
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Kokoro & Moi
CEKAI Variable Association and Expanding Creation – Interview by Soichi Takahashi
The New Era of Design by Paul Bennett (IDEO)
STUDIO NA.EO
eyen design
Seachange
Bureau Borsche
Creative Intermediaries: Inside the in-between by Nicholas Bell (AUFI)
CRITIQUE & CONTEXT. Vol. 3 What do we assess in critique? Text & Design by Ian Lynam
MIRRORS Vol. 4 Independent Practice by Tetsuya Goto. Design by Sulki & Min
The 389th ginza graphic gallery exhibition Yui Takada with ori.studio CHAOTIC ORDER Collaboration Based on Trust. Round table talk:Yui Takada ×ori.studio×Takeshi Nishio
Interview by Idea Interpretation by Kotoko Koya Design by ori.studio
The History of Yasuhito Nagahara. Text & Design by Toshinobu Nagata
Creating a Space for Typography. TDC’s Transformation and Expansion into the Asia Region. Interview with Ksenya Samarskaya by Min-Young Kim. Design by Kazuhiro Yamada (nipponia)

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Idea 399, 2022-9/10
Idea 399, 2022-9/10
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Max Huber worked across advertising, packaging, design and industrial design. He had a distinctive style that skillfully blended bright hues with photomontage.
How design can transcend the logics, structures, and subjectivities of capitalism: a framework, theoretical grounding, and practical principles. A new book published by MIT Press written by Matthew Wizinsky.

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Joseph Binder established his studio, Wiener Graphik, in Vienna. One of the first clients was the City of Vienna’s Music and Theater Festival, followed by many other posters and logos for clients in Austria and beyond.

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Blase’s long-term clients were Staatstheater Kassel (Kassel State Theater) and Atlas Films. Karl Oskar Blase produced countless posters for these two organisations. It’s not surprising considering Blase designed posters for the Staatstheater for twelve years between 1966 and 1978.