Kohei Sugiura - Japanese Graphic Designer

Design (Japan), 66, 1964

Information

Content includes:
Akio Kanda’s modeling / Makoto Wada
Considerations surrounding design: Designer as an intellectual / Azusa Hasishi
Displays at the Swiss Exposition / Yusaku Kamekura
From the Lausanne Swiss Expo: Display as spatial direction / Arata Isozaki
Designer three-sided mirror Distant Things / Kenji Fujimori
What is it? From the works of Nikakai Commercial Art Club / Akiko Hinata
Tour of design schools around the world ⑫ Parsons School of Design, New York / Masaaki Tanaka
Surroundings of 600-inch phone design
・How the 600-inch telephone was designed / Akira Takayanagi
・Around telephone design/Riki Watanabe
This design⑩ Nikon SP poster / Ryuichi Yamashiro
design digest
radar
・Why are Olympic admission tickets unpopular?
・Match for athletes village

Details

Linked Information

Design (Japan), 66, 1964 Cover design by Kohei Sugiura
Design (Japan), 66, 1964 Cover design by Kohei Sugiura

 

Design (Japan), 66, 1964 Back Cover design by Kohei Sugiura
Design (Japan), 66, 1964 Back Cover design by Kohei Sugiura
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
The most comprehensive account of ghost signs ever published, focusing on London’s hand-painted relics of advertising past
The book "Modern Man In The Making" (1939), is a fantastic example of Neurath's work. The book uses Isotype's principles with text to illustrate complex societal issues like globalisation and war's impact on economies, prioritising visual recognition through symbols to aid in memorability—a philosophy that remains paramount in design today.

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Little is known about the talented designer Günther Glückert. Born during the 1930s, a period that proved less than conducive to nurturing youthful artistic endeavours, did not halt Glückert's path of becoming a talented designer.
I have been reproached for this, and I will surely be reproached again. I have also been reproached for reading more and more obscure works whose readership must be limited to a handful of specialists and a few hobbyists like myself. It’s a heavy passion or a passion that sucks.