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Content includes:
Japanese turned toy / Sori Yanagi
About the official symbol/mark of the Ocean Expo nomination competition / Masaru Katsumi
・On examining the Okinawa Ocean Sweeping Mark / Ryuichi Yamashiro
・My review process / Iwataro Koike
・BIE official symbol/mark / Masaru Katsumi
USIS and American Center Super Graphics
Report on the 4th Warsaw International Poster Biennale / Hiroshi Hara
From Bertrand’s caricature collection his Cuban designer
Global Eye ’72 Exhibition / Masaru Katsumi
Mitsuo Katsui Design Policy for Zenon Calendar
Young generation ⑥ Freedom in a stunned state/K2 / Ikko Tanaka
From Hirotoshi Maeda’s scratchboard
Geometric pattern based on colored patterns / Gyozo Kagi
Development of new phototype typeface / Koizo Koike
glyphs news

Graphic Design / グラフィックデザイン, delved into the world of graphic design and visual culture. The magazine featured a broad range of content, including coverage of cutting-edge Japanese design and its history, as well as international graphic design.

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Graphic Design 48, 1972. Cover design by Kazumitsu Tanaka
Graphic Design 48, 1972. Cover design by Kazumitsu Tanaka
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.