Content includes:
Japanese turned toy / Sori Yanagi
About the official symbol/mark of the Ocean Expo nomination competition / Masaru Katsumi
・On examining the Okinawa Ocean Sweeping Mark / Ryuichi Yamashiro
・My review process / Iwataro Koike
・BIE official symbol/mark / Masaru Katsumi
USIS and American Center Super Graphics
Report on the 4th Warsaw International Poster Biennale / Hiroshi Hara
From Bertrand’s caricature collection his Cuban designer
Global Eye ’72 Exhibition / Masaru Katsumi
Mitsuo Katsui Design Policy for Zenon Calendar
Young generation ⑥ Freedom in a stunned state/K2 / Ikko Tanaka
From Hirotoshi Maeda’s scratchboard
Geometric pattern based on colored patterns / Gyozo Kagi
Development of new phototype typeface / Koizo Koike
glyphs news
Graphic Design / グラフィックデザイン, delved into the world of graphic design and visual culture. The magazine featured a broad range of content, including coverage of cutting-edge Japanese design and its history, as well as international graphic design.
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
Design Archive Feature, Design Education, Members Only Content, Movements
The Bauhaus approach to design emphasised simplicity, functionality, and the integration of modern technologies and materials. A century later, many of the principles taught at the school remain fundamental to contemporary design practices.
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Design Archive Feature, Design Education, Movements
A short free-to-access feature on Swiss Design. The movement was influenced by Bauhaus and De Stijl, sought clarity and visual unity, making it a powerful force in global graphic design that remains influential today.
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Design Archive Feature, Designer Profiles, Members Only Content, Regional Histories
Tadashi Ohashi was at the forefront of Japan's postwar design movement, with his illustrations widely celebrated. In 1952, he became the chief designer for Meiji Seika Confectionery, producing some of his most renowned work.
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