Erberto Carboni - Italian Graphic Designer

Idea 122, 1974

Information

Content includes:
Ewald Breuer
ICSID ’73 KYOTO
Art Direction of SM by Wim Crouwel
Erberto Carboni by Guido Piovene, Marco Valsecchi
An Artist’s Career by Fritz Eichenberg
Traditional Japanese Package Designs Show
Opening Campaign for Shibuya PARCO by Jun Kusakari
Marie Michal
Jan Lenica’s Poster and Animated Film
Elements of idea “Silhouettes” by Shigeo Fukuda
Identification for Shimoda Prince Hotel
Taki Takamura’s Illustration
Wedag – Workshop of Environmental Design, Athens, Greece.
Tableaux by Yukio Kanise
The 8th Exhibition of Japan Package Design Association (JPDA)
Promotion Pieces of Esquire

Details

Linked Information

Idea 122, 1974. Cover design by Erbert Carboni.
Idea 122, 1974. Cover design by Erbert0 Carboni.

 

Idea 122, 174 - Wim Crouwel Feature
Idea 122, 174 – Wim Crouwel Feature

 

Idea 122, 174 - Wim Crouwel Feature
Idea 122, 174 – Wim Crouwel Feature

 

Idea 122, 174 - Erberto Carboni
Idea 122, 174 – Erberto Carboni

 

Idea 122, 174 - Erberto Carboni
Idea 122, 174 – Erberto Carboni
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
The transformation of Radio Free Berlin's publicity from dark and provincial to striking and imaginative. Cultural announcements and radio programs designed by Hans Förtsch, Sigrid von Baumgarten, and Reinhart Braun
Both educators have a keen interest in multiscriptual design, Arabic type design, and graphic design and recently released A History of Arab Graphic Design. I contacted Bahia and Haythem to find out more.
The book "Modern Man In The Making" (1939), is a fantastic example of Neurath's work. The book uses Isotype's principles with text to illustrate complex societal issues like globalisation and war's impact on economies, prioritising visual recognition through symbols to aid in memorability—a philosophy that remains paramount in design today.
An advertising programme is fully integrated only when its effect is powerful enough to play a major part in determining a corporate image. Geigy advertising is an example of this successful integration.