Information

Journal of expression and studies of the Arts, Letters, Ideas

-Marcello-Fabri, musical function of the tongue
-John Charpentier, around an obscurist sonnet by Sainte-Beuve
-Jérôme Soignard, pictorial art taught by children
-Friedrich Nietzsche, to friendship, poem
-Philéas Lebesgue, secret sources of Hitlerism
-Jacques Duvaldizier, reports by Wagner, Nietzsche and Cosima
-Marc-George Mallet, God or Nothingness?
-A.N., Nothing is stable
-Roger Lannes, convalescence, poem
-André Dez, to Jean Cocteau, poem
-Marcello-Fabri, that evening (3 chapters from “Power of Faith”)
-Marcello-Fabri, not every pacifist is necessarily a fugitive
-Émile Gaudissard, the lost opportunity (open letter to Mr. Hitler, Chancellor of the Reich)
-Thor R. Kiimalehto, Is Peace Possible
-Pierre Barniard, atmosphere of shame
-Raymond Luce-Gilson, on the present time
-Albert Tustes, Mr. Léon Blum at the Wailing Wall
– Intellectual realities, interpenetration of literatures

Details

Linked Information

L'Age Nouveau - Revue n°9, 1938
L’Age Nouveau – Revue n°9, 1938
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
Systematic Surface Design eliminating the hindrance of searching for strategies and starting points, allowing designers to quickly find optimal solutions.
When Fritz Gottschalk and Stuart Ash joined forces in Montreal, it was a partnership ideally suited to the city's hybrid environment. Gottschalk's training in graphic design in Switzerland, Paris and London was rigid, his background European; Ash, Canadian born and educated, was trained in the North American fashion, though he was influenced by his work with European designers

Members Content

Gregory Vines' design and process behind the Typographische Monatsblätter 1978 covers. From the initial inspiration drawn from Bellinzona's gate to the process of film montage, resulting in six stunning cover masterpieces.

Members Content

As part of an ongoing series showcasing Swiss poster designs from the 1950s and 1960s, this article features 1961 poster entries of Die besten Plakate des Jahres (The Best Posters of the Year) 1961. Originating in 1941, Die besten Plakate des Jahres initially served as a platform for the evaluation and showcase of Swiss posters.