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Content includes:
Neues in Kürze, neue Maschinen und Geräte
A. Wälti, Winterthur: Die Bewertung der persönlichen Leistung
G. Montandon, Saint-Aubin : Une maladie inguérissable : la papyromanie
Graphibref Satz, la composition
Kurt Ganahl, Basel: Die Consecutio temporum (Zeitenfolge)
Monomatic – eine neue Einzelbuchstaben Setz- und -Gießmaschine der Lanston Monotype Company
Frage 139 an die Technische Kommission des Schweizerischen Maschinensetzerverbandes
Fritz Gottschalk, London: Straßen- und Häuserbeschriftungen in London
G. Edelmann, Lausanne : Qu’est-ce que le prétramage?
Fernand Chuard, Genève : Rien de nouveau sous le soleil
Emile Enderli, Lausanne : L’éjecteur universel
Jean-Pierre Defago, Genève : …de quelques travaux réservés à la Monotype
Druck, l’impression
Herbert Blum, Zürich: Lehrlingsausbildung auf neuen Wegen
Exposition d’esthétique industrielle à Genève

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Typografische Monatsblätter, 05, 1961. Cover design by Emil Ruder
Typografische Monatsblätter, 05, 1961. Cover design by Emil Ruder
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
Last month (March 2022), I spoke to over fifty Graphic Design undergraduates about the archive and my passion for design history, after which the students had full access to items in the collection and participated in discourse amongst their peers and lecturers. As part of their critical studies unit, the students will be producing essays and content related to the impact, history and aesthetics of selected artefacts.

Members Content

Katayama worked in several art and design disciplines from graphic design and sculpture to environmental works and sculpture. His design work features rhythms and patterns and has a resemblance to modern jazz and the studies of Josef Albers.
An advertising programme is fully integrated only when its effect is powerful enough to play a major part in determining a corporate image. Geigy advertising is an example of this successful integration.

Members Content

In the late 1950s, Hans W. Brose agency, with designers Pierre Mendell, Michael Engelmann, and Klaus Oberer, crafted a compelling, colourless campaign for Bols.