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Raimondo Hrabak – Ferenc Pintér • Graphic Advertising Art and Mural Paintings
Erich Pfeiffer-Belli – The Advertising Book-Jacket • Results of a Contest
Alf Kayser – American Window-Displays • The Floating Shoes at Miller’s, New York
Walter Keim – Roberto Patelli • Graphic Advertising Art and Record-cases
Claudia Persson – Sumptous Tableware • Baroque Designs for Table Settings
Sigwart Blum – Argentine Book-Jackets by Luis Seoane
Eberhard Hölscher – Muthesius School of Applied Art, Kiel . Department of Commercial Graphic Art
Hans Kuh – French Record-cases
Carl Heussner – Heinz Diekmann and His Kitchen-Tray Still Lives

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Gebrauchsgraphik, 9, 1960
Gebrauchsgraphik, 9, 1960
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From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
In Rau's case, the combination of graphic design and photo produces a particularly positive result, since he uses the photo not so much as an object of representation but rather as a suggestive means of expression.
The background of Kamekura's mark designs is his boldness in eliminating all the waste, combining simplification derived from Japanese traditional family crests and Western intellectual mechanics of formation with a sharp modern sense of composition.
A few years ago the publicity department of Siam di Tella found a collaborator who early in his studies of architecture was attracted by the problems of visual art. His name is Guillermo González Ruiz he was born in Chascomus (Province of Buenos Aires) in 1937. Between 1957 and 1960 he received 18 awards in poster competitions, some of which were of particular importance.

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In the late 1950s, Hans W. Brose agency, with designers Pierre Mendell, Michael Engelmann, and Klaus Oberer, crafted a compelling, colourless campaign for Bols.