Beeldend Experiment Op De Planken, Stedelijk Van Abbemuseum Eindhoven, 1964

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Beeldend Experiment Op De Planken, Stedelijk Van Abbemuseum Eindhoven, 1964 designed by Baer Cornet
Beeldend Experiment Op De Planken, Stedelijk Van Abbemuseum Eindhoven, 1964 designed by Baer Cornet
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From the design archive:
From the design archive:
From the design archive:
From the design archive:
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Among the young graphic artists of Berlin, who set to work after the war, Hans Adolf Albitz and Ruth Albitz-Geiß can claim special attention. In a short time, at a period when economic conditions were pretty unfavourable, they worked themselves so to the fore that their names came to mean something in Berlin publicity, and in western Germany their posters are known and appreciated, too.

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Advertisements from post-World War II Britain for British Aluminium Company. Designs by Abram Games, Tom Eckersley, FHK Henrion, Pat Keely, and James Hart, who collectively crafted over 100 four-color and 300 black-and-white advertisements.

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The advertising agency played a crucial role in shaping consumer culture by acting as a bridge between businesses and the media and was stated to have started in the mid-19th century.
“They’ll never stand for that” and “It’s too modern” are, as George Plante aptly puts it, the restraintive thoughts which beset a commercial artist who tries to let himself go.