Information

Content includes:
Franz H. Wills Monsanto – serving Industry, which serves Mankind
Joh. H. Seifert – The external impact conditions of advertising
Gerhart Haug – The ad image of the daily newspaper
S. J. Hermann – Design advertisements in a striking or feature-like manner?
W. P. Jaspert – Advertising graphics in Japan
Max Bill – Basis and goal of aesthetics in the age of the machine
Ernst Dobmann – Rationalized advertising through systematic research

Details

Linked Information

Graphik - Werbung + Formgebung, 2, 1954. Cover design Herbert Lange
Graphik – Werbung + Formgebung, 2, 1954. Cover design Herbert Lange
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

After researching further into the work designed by their practice, I found ten programmes designed between 1958 and 1960. These programmes were designed for a variety of live jazz events in Germany and all followed the same format.
Emiliano Grignani is the grandson of Franco Grignani, one of the most versatile and influential Italian designers. Well-known for his advertising, painting and the way he could visualise motion in such a unique way. I interviewed Emiliano to find out more about Franco and his influence on graphic design and the great resource, https://www.francogrignani.info.

Members Content

Before setting up Ken Garland & Associates in Camden, London, Ken was art editor of Design magazine in 1956. The magazine was published by the Council of Industrial Design, which was set up in 1944 with the prime focus of supporting Britains economic recovery.

Members Content

Wolfgang Weingart's artistic design delved into the intricacies of Swiss typography, skillfully dissecting its elements while venturing into texture and type experimentation. His layered montages radiated dynamic kinetic energy, standing in stark contrast to the minimalist approach of his instructors, embracing a more maximalist aesthetic.