Graphic Design 18, 1965

Information

Content includes:
Ecology of Japanese characters ・ Local report from Tokyo Kinkichi Takahashi
Design policy for the Tokyo Olympic Games Masaru Katsumi
Match Heaven, Japan Masaru Katsumi
Print Design Laboratory / 18 Picture book by letterpress mosaic Makoto Wada Mutsuro Takahashi
Brazil’s Poezia Concretta Vignores
Brazilian folk art woodblock
A collection of 9 Brazilian designers
Ezmeraud Volnel Castro + Barsoch Jaguaribe
Remos Fernandez Giraud Magaliaens

Graphic Design / グラフィックデザイン, delved into the world of graphic design and visual culture. The magazine featured a broad range of content, including coverage of cutting-edge Japanese design and its history, as well as international graphic design.

Details

Linked Information

Graphic Design 18, 1965. Cover design by Toshi Ejima
Graphic Design 18, 1965. Cover design by Toshi Ejima
Graphic Design / グラフィックデザイン, delved into the world of graphic design and visual culture. The magazine featured a broad range of content, including coverage of cutting-edge Japanese design and its history, as well as international graphic design.
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

The advertising has a certain contrast of hand-drawn and mechanical. Produced entirely in black, it reminds us that the absence of colour can be highly effective. Hans Michel and Günther Kieser's illustrations bring a sense of both playfulness and a stylistic approach to a corporate client.
Projekt 26 is a fantastic online store dedicated to vintage Polish posters, as well as operating online, both Harriet and Sylwia also run poster markets, social accounts full of the vibrant works and have a radiating passion and knowledge of the subject.

Members Content

Karl Oskar Blase was born in 1925 in Cologne, Germany. He was a prolific painter, designer, sculptor and exhibition curator. His work included magazine covers, for publications such as Form and Gebrauchsgraphik, stamp designs for the German Postal Service and film posters for companies such as Atlas Films.

Members Content

Giovanni began his work with Olivetti in March 1938, and his work was showcased in various exhibitions and had a clear distinctive style that amplified the Olivetti brand image. His design defined the company’s visual image, and the iconic geometric designs are still as powerful and engaging today as they were in the 1950s.