Join the Mailing List

Membership

Collected Graphic Design History from Design Reviewed

Industrial Design, May, 1974

Information

Details

  • Format: Magazine
  • Year: 1974
  • Client/Publisher: Whitney Publishing
  • Size: 230mm x 300mm

Linked Information

Industrial Design, May, 1974
Industrial Design, May, 1974
More graphic design artefacts
Drawing and Design No 25, Vol 5, May 1917
From the design archive:

Drawing and Design No 25, Vol 5, May 1917

  • Format: Magazine
  • Year: 1917
View Artefact
Gebrauchsgraphik, 2, 1963
From the design archive:

Gebrauchsgraphik, 2, 1963

  • Format: Magazine
  • Year: 1963
View Artefact
Gebrauchsgraphik, 5, 1960
From the design archive:

Gebrauchsgraphik, 05, 1960

  • Format: Magazine
  • Year: 1960
View Artefact
Idea 269, 1998-7
From the design archive:

Idea 269, 1998-7

  • Format: Magazine
  • Designer/s: Tomato
  • Year: 1998
View Artefact

view more of the graphic design archive

More graphic design history articles
Glorious Devon, S.P.B. Mais, Great Western Railway Company, 1934. Cover design by Edward McKnight Kauffer
  • Design Archive Feature

The E. McKnight Kauffer 1955 Exhibition at the Victoria and Albert Museum by F.H.K Henrion

A review of the memorial exhibition of Edward McKnight Kauffer at the Victoria and Albert Museum in 1955 by F.H.K. Hernion
Read Article
montages5
  • Designer Profile

Ken Garland

Ken was born in 1929, in Southampton and grew up in a small market town in North Devon. He was a principled man, with strong values and views against the hyper-consumerism we live with today. Ken studied at the London Central School of Arts and Crafts in the 1950s and was taught by Herbert Spencer, Anthony Froshaug and Jesse Collins. Whilst at the School he studied alongside designers Ken Briggs, Alan Fletcher and Colin Forbes.
Read Article
Kew Gardens Poster deisgned by George Plante
  • Design Archive Feature

The Aims of Young Designers: George Plante, 1934

“They’ll never stand for that” and “It’s too modern” are, as George Plante aptly puts it, the restraintive thoughts which beset a commercial artist who tries to let himself go.
Read Article

Members Content

Scan 415
  • Design Archive Feature, Members Only Content

Manifestos on Kinetic Art

Kinetic art refers to art the depends on movement for its desired effect and is closely related to op art. Upon scanning a few of the inner inserts from the Kinetics exhibition catalogue from the Hayward Gallery, London, 1970, I came across these five small manifestos on kinetic art.
Read Article