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Collected Graphic Design History from Design Reviewed

Jazz Journal, 1, 1970

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Details

  • Format: Magazine
  • Designer/s: Cal Swann and Vicky Pollard
  • Year: 1970
  • Size: 220mm x 280mm

Linked Information

Jazz Journal, 1, 1970. Cover design by Cal Swann and Vicky Pollard
Jazz Journal, 1, 1970. Cover design by Cal Swann and Vicky Pollard
More graphic design artefacts
Gebrauchsgraphik, 2, 1972. Cover design by Victor Vasarely
From the design archive:

Novum Gebrauchsgraphik, 2, 1972

  • Format: Magazine
  • Designer/s: Victor Vasarely
  • Year: 1972
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Bissière, Stedelijk Museum Amsterdam, 1958 designed by Willem Sandberg
From the design archive:

Bissière, Stedelijk Museum Amsterdam, 1958

  • Format: Exhibition Catalogue
  • Designer/s: Willem Sandberg
  • Year: 1958
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Eye, Issue 103, Summer 2022
From the design archive:

Eye, Issue 103, Summer 2022

  • Format: Magazine
  • Year: 2022
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Interiors, June 1955. Cover design by Salvatore Lodico
From the design archive:

Interiors, June 1955

  • Format: Magazine
  • Designer/s: Salvatore Lodico
  • Year: 1955
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More graphic design history articles
Kew Gardens Poster deisgned by George Plante
  • Design Archive Feature

The Aims of Young Designers: George Plante, 1934

“They’ll never stand for that” and “It’s too modern” are, as George Plante aptly puts it, the restraintive thoughts which beset a commercial artist who tries to let himself go.
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Members Content

and-so-to-the-Needlework-Development-Scheme
  • Design Archive Feature, Members Only Content

And So…the Needlework Development Scheme

Both the And So To Embroider & And So to Sew bulletins were published by the Needlework Development Scheme. Established in 1934 and operating until 1961, the scheme was a partnership between educational establishments (Scottish art schools, Aberdeen, Dundee, Edinburgh and Glasgow) and industry.
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Members Content

Wolfgang Bäumer, Singular Graphic Composition, the advertisements of the Klöckner-Werke AG
  • Design Archive Feature, Members Only Content

Wolfgang Bäumer, Singular Graphic Composition, the advertisements of the Klöckner-Werke AG

Bäumer gave the company a unique brand image amplifying its graphical image after a time of post-war economic recovery. This style of advertising composition can be seen across many 1960s campaigns, especially from other German designers such as Anton Stankowski.
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Members Content

Ezio Bonini’s 1950s Advertisements for Linoleum scanned from Gebrauchsgraphik, 08, 1954
  • Design Archive Feature, Members Only Content

Ezio Bonini’s 1950s Advertisements for Linoleum

Ezio Bonini's work for "Società del Linoleum" in Milan, showcasing advertisements designed for various Italian newspapers aimed at expanding the linoleum market
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