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Content includes:
Hans Kuh – Holger Matthies, Hamburg – His Latest Graphic Designs
Max Baltis – Advertising Agency Muller – Brookmann & Co., Zurich
Pfeiffer-Belli – Realistic Illustrations in the Service of Advertising Design by Elisabeth von Janota-Bzowski
Jacques Paul Dauriac England\’s \”Fin de Siecle\” in Pictures
Kurt Lob – Dick (Bruna) – The \”Most Amiable \” Graphic Designer of Holland
J. J. de Lucio-Meyer – Symbols for the Municipal Hospitals of New Yor

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Novum Gebrauchsgraphik, 3, 1973
Novum Gebrauchsgraphik, 3, 1973
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From the design archive:
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Blase’s long-term clients were Staatstheater Kassel (Kassel State Theater) and Atlas Films. Karl Oskar Blase produced countless posters for these two organisations. It’s not surprising considering Blase designed posters for the Staatstheater for twelve years between 1966 and 1978. 
Systematic Surface Design eliminating the hindrance of searching for strategies and starting points, allowing designers to quickly find optimal solutions.
Emiliano Grignani is the grandson of Franco Grignani, one of the most versatile and influential Italian designers. Well-known for his advertising, painting and the way he could visualise motion in such a unique way. I interviewed Emiliano to find out more about Franco and his influence on graphic design and the great resource, https://www.francogrignani.info.

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The 1960s was an era characterised by political, social, and cultural shifts. The counterculture movement emerged as a response to the perceived failures of the mainstream establishment, sparking a wave of activism and alternative ideologies. And with these an array of printed matter. Counterculture publications, often referred to as the "underground press," became powerful platforms for dissent, expression, and the exploration of new ideas.