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Editor: Yoshihisa Ishihara
Art Director: Hiroshi Ohchi
Cover Design: Hiroshi Ohchi

Contents include:
Roger Zimmerman manifests his versatile character [sic.]
Two Cuban Designers by Shigeo Fukuda
Walfgang Walter by Hiromu Hara
Jean-Pierre Huster by Hiroshi Kojitani
Herman Bongard by Hiroshi Ohchi
James D. Gillbert
Greeting & Calendar
Bauhaus by Hiroshi Ohchi, Takeachiyo Uemura, Shutaro Mukai
Recent ads of Ohrbach’s by Sheldon Harris
Graduation Works of Graphic Art Students
Elements of idea by Shigeo Fukuda

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Idea 107, 1971-7. Cover design by Hiroshi Ohchi
Idea 107, 1971-7. Cover design by Hiroshi Ohchi

Idea 107, 1971-7
Idea 107, 1971-7 – Roger Zimmerman

 

Idea 107, 1971-7
Idea 107, 1971-7 – Felix Beltrain
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
Among the young graphic artists of Berlin, who set to work after the war, Hans Adolf Albitz and Ruth Albitz-Geiß can claim special attention. In a short time, at a period when economic conditions were pretty unfavourable, they worked themselves so to the fore that their names came to mean something in Berlin publicity, and in western Germany their posters are known and appreciated, too.

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He designed stamps from around 1955 and in the book Karl Oskar Blase, Briefmarken-Design, Verlag für Philatelistische Literatur, 1981, he was described as one of the most influential stamp designers in Germany.

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One of Otl Aicher's lesser-known works was the identity and publicity for the Gastein Valley. Gastein valley was a resort for the elderly, an Austrian Alpine village in the Austrian state of Salzburg

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Many influential British designers have made their names in the history books. Abram Games, Alan Fletcher, Tom Eckersley and Derek Birdsall, to name a few. But one designer that has always influenced me, not only as inspiration from their design output, but as an example of the role of a designer and the importance of having strong ethics, is Ken Garland. He is known for his innovative and socially responsible approach to graphic design and his involvement in the design community through his teaching, writing and activism. In the second instalment of this series, I will discuss Ken Garland's magazine work from my collection.