Information

Editor: Yoshihisa Ishihara
Art Director: Hiroshi Ohchi
Cover Design: Piero Fornasetti

Contents include:
Franz F. H. Wagner in medical communication art
Arthur Paul in lineal drowings [sic.] by Akiko Hyuga
Piero Fornasetti’s Still Life by Hiroshi Ohchi
Sidney Rothberg
Graphics of Paul Peter Piech
Takenobu Igarashi and his Works by Mitsu Takaoka
’73 Graduation works of graphic art students
Elements of idea “Inlaid Figures” by Shigeo Fukuda
Notes about Sake Labels, Boxes and Bottles by Seymour Chwast
Greeting Card and Calendar
Nine Designers in Los Angeles: John and Barbara Casado Design, Peter Palombi, Odgers + Hinckley, Dave Bhang, Weller & Juett and Ignacio Gomez

Details

Linked Information

Idea 119, 1973-7. Cover design by Piero Fornasetti
Idea 119, 1973-7. Cover design by Piero Fornasetti
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

His distinctive style echoes the artistic expressions of fellow Italian designers Giovanni Pintori and Erberto Carboni. Tovaglia's mastery in taking concepts and translating them into visually compelling narratives is evident in this selection of advertisements I have scanned from Gebrauchsgraphik, 10, 1955.
Projekt 26 is a fantastic online store dedicated to vintage Polish posters, as well as operating online, both Harriet and Sylwia also run poster markets, social accounts full of the vibrant works and have a radiating passion and knowledge of the subject.
In minor printed matter we constantly meet the new typography, but it is relatively rare to find posters designed on the new lines. And yet poster-designing is a field where new typographical methods might be employed with great effect.
The covers of the periodical ALMANAQUE, which was published in Lisbon, are perfect examples of this pleasure in the unusual and the force of with which all sorts of foreign influences are assimilated.