Information

Editor in chief: Yoshihisa Ishihara
Assistant Editor: Tadashi Hamada
Editorial Cooperation: Ohchi Design Office
Editorial Cooperation: Midori Imatake
Cover design [sic]: Takeo Yao

Contents include:
Issey Miyake
19th The Society of Illustrators Annual Exhibition by Shin’ichiro Tora
Works of Norman Seeff by Takenobu Igarashi
Grote Spectrum Encyclopedia by Shigeru Watano
Bruno Munari’s drawing class room by Shigeru Watano
Poetic Collages at a Commercial Fair by Miroslav Holek by Jan Rajlich
Women Illustrators in New York
Georganne Deen
Anita Siegel
Barbara Nessim
10 Designers in Osaka
Swiss Posters of the Year 1976
Robert A. Mayers Layout: Imatake & Associates Inc.
Pellegrini, Kaestle & Gross Layout: Imatake & Associates Inc.
Pellegrini, Kaestle & Gross Interviewer: Midori Imatake
Ine Wijtvliet Layout: Imatake & Associates Inc.
Ine Wijtvliet Interviewer: Midori Imatake
Kazumasa Nagai’s “Thinking Stripes” Shigeo Fukuda

Details

Linked Information

Idea 144 1977 9
Idea 144, 1977-9. Cover design Takeo Yao
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
I have known Rob for over a decade and I have been a huge admirer of his work. He specialises in reverse gilded glass sign making, typographic murals and traditional sign-writing.

Members Content

The 1960 awards presented 420 poster entries from Swiss designers. Notable winners included Robert Büchler's typographic poster for the Museum of Applied Arts Basel and J. Müller-Brockmann’s Der Film poster for the Museum of Applied Arts and Gerstner + Kutter's asymmetric typographic poster for National-Zeitung SA Basel.

Members Content

Graphis is one of the industries most long-standing magazines. It was first published in 1944 and founded by Walter Herdeg and Walter Amstutz in Zurich, Switzerland. It was released bimonthly and was trilingual, with articles in English, French and German.
An advertising programme is fully integrated only when its effect is powerful enough to play a major part in determining a corporate image. Geigy advertising is an example of this successful integration.