Information

Editor in chief: Yoshihisa Ishihara
Assistant Editor: Tadashi Hamada
Editorial Cooperation: Ohchi Design Office
Editorial Cooperation: Midori Imatake
Cover Design: John Collier

Content includes:
Works of John Collier by Yoshio Hayakawa
Four Young Illustrators from California by Don Weller
Sixty Years of the Soviet Poster by Jan Rajlich
Background of Frans van Mouriks Design of Educational Materials by Shigeru Watano
Graphic Design in Korea by Sihwa Chung
Posters of Michel Spera by Takenobu Igarashi
Graphics on a Grand Scale by Midori Imatake
Mike Quon by Takenobu Igarashi
Paul Peter Piech
“My Chairs” by Kazumasa Nagai
15 Triangular Posters
The Partners’ Graphic Identity Program by Otto L. Speath Jr.
“Patented” Art by Leopold Pospisil
’79 Graduation Works of Graphic Design Students
Suntory’s Art Posters
The 39th Annual Exhibition of Art Culture Association

Details

Linked Information

Idea 155, 1979-7. Cover design by John Collier
Idea 155, 1979-7. Cover design by John Collier
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
House style can give identity to the diverse products or activities of a firm. It stimulates loyalty, helps to reduce costs, and has advertising value.
Projekt 26 is a fantastic online store dedicated to vintage Polish posters, as well as operating online, both Harriet and Sylwia also run poster markets, social accounts full of the vibrant works and have a radiating passion and knowledge of the subject.
Emiliano Grignani is the grandson of Franco Grignani, one of the most versatile and influential Italian designers. Well-known for his advertising, painting and the way he could visualise motion in such a unique way. I interviewed Emiliano to find out more about Franco and his influence on graphic design and the great resource, https://www.francogrignani.info.
Mark Bloom has designs for globally recognised brands, produces some of the finest, most accessible modern typefaces and heads up Mash Creative and CoType Foundry. His type foundry has always been a port of call for our studio's brand projects and he continues to develop these, each with a fantastic print specimen.